Testi: Harrison Charles.,
Editore: London Borough of Camden, London, 1970.

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Testi: Carmiggelt Simon.
F.to: 15,5×24; pagg. 64; 30 BN; rileg. rigida.
Editore: C.A.J. van Dishoeck, Bussum, 1955.
€ 350,00


 

Testi: den Tex Ursula., pagg. 148;
Editore: Amsterdam University Press, Amsterdam, 1995.

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Testi: Werkman Evert.
F.to: 13×20; pagg. 134; BN; rileg. brossura.
Editore: Sijthoff, Leiden, 1966.
€ 40,00


 

pagg. 110; rileg. rigida.
Editore: Thames & Hudson, London, 2005.
€ 30,00

What am I doing on the roof of my car, smashed on the platform from where ‘it is sweet to stand and see, from the safe and distant shore, others in distress amidst billows and raging gales; not drawing delight from another’s misfortune, but rejoicing over being spared such desperation*’? Doubtless as an artist, I am at war, too – Sophie Ristelhueber (*excerpt from Lucretius, “De Rerum Natura”, II, 1-4) In her intensely personal yet objectively restrained photographs, Sophie Ristelhueber embraces and records the scars of human existence. ‘I have these obsessions that I do not completely understand, with the deep mark, with the ruptured surface, with scars and traces, traces that human beings are leaving on the earth’, she says. She transcends the turmoil and specificity of a location and creates art without limits of time and identity through photographs that are haunting, provocative and telling. Ristelhueber’s photographs only ever carry evidence of human activity, never images of people themselves: it is through the absence of life that she manages so profoundly to address life’s fragile presence.

Testi: Horwath Alexander, hun-Hohenstein Christoph et al.
F.to: 16,5×23,5; pagg. 176; COL e BN; rileg. brossura.
Editore: Verlag für moderne Kunst, Nürnberg, 2010.
€ 27,00

What interests artists today in the moving image and its representation in view of the long tradition of cross-fertilization between art and film?, , Presenting a survey of this complex web of relations, this publication offers an opportunity to explore the subject art and film in a comprehensive manner ., , Current prevailing institutional conditions are discussed together with aesthetic explorations of space and time, and the quest for both artistic and social freedom., , Curated by_Vienna is a project aimed at promoting asystematical collaboration between galleries and curators., , art&film presents artworks relating to film from 20 international artists, invited by curators from 20 galleries.

Testi: Carmiggelt S..
F.to: 28,5×28; pagg. 156; BN; rileg. rigida con sovracoperta.
Editore: De Arbeiderspers, Amsterdam, 1965.
€ 350,00


 

Testi: Boom Mattie.
F.to: 24×30; pagg. 144; BN; rileg. brossura.
Editore: Fragment Uitgeverij, , 1989.
€ 65,00


 

rileg. rigida.
Editore: Centro de Artes Visuais, Coimbra, 2003.
€ 150,00


 

pagg. 178; rileg. brossura.
Editore: Seigensha, Kyoto, 2008.
€ 45,00

Kyoichi Tsuzuki — famous for his previous collection of tiny, packed Tokyo apartments called “Tokyo Style”, continues in a similar vein in this, most recent book. This time he’s interested in the occupants, and specifically of fashion lovers in their lairs, surrounded by their collections. The title is a pun on “fashion victim”, but as the “happy” might indicate, this is more a loving look than a critical one.