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Testi: Bonami Francesco .
F.to: 21×29,7; pagg. 132; 50 COL; rileg. rigida.
Editore: Charta, Milano, 2002.

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Brad Pitt was married in one of his suits, John Galliano dressed in one of his jackets to receive a prestigious award, Karl Lagerfeld never wears anything else, and women as dashing and fashionable as Madonna, Catherine Deneuve, and Cecilia Dean go drag to wear his designs. Hedi Slimane, the young designer who left Yves Saint Laurent to reinvent Christian Dior’s menswear image, embraces “the cosmopolitanism of the old-school couturier” as well as “the conventional trappings of the modern-day überdesigner.” He reconfigures classical pieces via subtle tailoring tricks, discreetly adding such dandified details as black leather carnation buttonholes, tiny emerald-cut diamond pins clipped to a pant fly, and clear sequins dispersed in the folds of pleats. He is the leader of an anti-technological, anti-velcro revolution that is striving to take men’s fashions forward to the luxurious, armorial, sophisticated standards of time past. As Slimane himself has said, “For me, tradition is now.” Intermission was conceived and built by Slimane himself as an artist’s book. Published in collaboration with Pitti Immagine.

In less than five years, the 32-year-old with the cadaverous features of a Russian prince, the signature cock’s-comb flip of hair and the figure of an asparagus shoot had not only established an achingly cool reputation as the designer of Yves Saint Laurent’s menswear line–he had come to be regarded as nothing less than the savior of high fashion for men. –Hamish Bowles, Vogue

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