Testi: Weibel Peter. pagg. 256; rileg. brossura.
Editore: Hatje Cantz Verlag, Ostfildern, 2003.
Combining traditional film technologies and computerized military programs for tracking, identifying, and targeting, Jordan Crandall’s seven-part video installation Drive depicts movement through means that go miles beyond the conventions of cinema. In Drive, as elsewhere today, bodies and physical movements are no longer objects of representation, but collated and processed computer data from thermal imaging machines and night vision optical devices. Drive observes the new hum an rel ationships that develop through a structure otherwise associated with a hunter observing his prey.