Testi: Arnason H. H., Upright Diana.
F.to: 29×27; pagg. 264; 741 ill. COL e 25 BN; rileg. rigida.
Editore: Harry N. Abrams, New York.
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A meticulous and beautiful catalogue raisonne of the more than 650 extant paintings of Louis. Upright is straightforward in her approach. She concentrates on development of technique and on material matters: unprimed canvas, special paints and thinners, the problems of dating and orientation of works, of size and stretching. She de-emphasizes somewhat the much-discussed relationship between the artist and the critic Clement Greenberg, whose championing brought Louis recognition and whose judgment strongly influenced the direction of his work. The artist as person and creator remains elusive (this is, after all, a catalog). But the work reproduced in gorgeous color platesthe veils, the unfurleds, the stripesis indeed accessible. Fine documentation, including exhibition history and bibliography.
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