Testi: Kwon Miwon., pagg. 200; rileg. brossura.
Editore: M.I.T. Press, Cambridge, 2004.
Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art’s autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. and market forces. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, René Green, Suzanne Lacy, Iñes Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.