A History of Experimental Film and Video

Text: Rees A. L.. cm 15,5x23,5; pp. 256; BW ills.; paperback. Publisher: BFI, London, 1999.

Ilya and Emilia Kabakov. An Alternative History of Art

Text: Wallach Amei , Snyder Jill et al. cm 29x24; pp. 278; COL and BW; paperback. Publisher: Kerber Verlag, Bielefeld, 2005.

Provocations Against Perfectionism: The Architecture of Friis and Moltke 1950-1980

Text: Jensen B. B., Ibelings Hans. Publisher: The Architecture Observer, 2022.

Extreme Cinema: Affective Strategies in Transnational Media

Text: Kerner Aaron, Knapp Jonathan. pp. 192; hardcover. Publisher: Edinburgh University Press, 2016.

Dan Graham, Pavilions: a guide

Text: Thorpe Josh. cm 13x10; pp. 80; COL; paperback. Publisher: Art Metropole, Toronto , 2009.

Global Conceptualism. Points of Origin, 1950s-1980s

Text: Bann Stephen, Poshyananda Apinan et al. cm 22,5x28; pp. 280; COL and BW; paperback. Publisher: Queens Museum of Art, New York, 1999.

Olafur Eliasson/ David Adjave. Your Black Horizon. Art Pavillon

Text: Adjave David, Spiegl Andreas et al. cm 21x25; pp. 168; COL and BW; hardcover. Publisher: Buchhandlung Walther König, Köln, 2007.

Presse parallèle : La contre-culture en France dans les années soixante-dix

Text: Jezo-Vannier Steven. pp. 304; paperback. Publisher: Le mot et le reste, Marseille, 2011.

Pose File #8: Above & Below

pp. 160; hardcover. Publisher: Nippon Shuppan Hanbai, Tokyo, 1995.

Mario Merz L’artista e l’opera, materiali per ritratto

Text: Verzotti Giorgio. cm 13x19,5; pp. 164; paperback. Publisher: Marinotti, Milano, 2018.

Passo dello strabismo. Sulle arti

 45,00

Text: Oliva Achille Bonito. cm 13x20; pp. 228; 16 ills; paperback. Publisher: Feltrinelli, Miano, 1978.

Sean Scully. Paintings 1971-1981

cm 20,7x29,6; pp. 39; 20 ill. BW ills. e 7 Col; hardcover. Publisher: Ikon Gallery, Birmingham , 1981.

Callum Innes

Text: Mac Giolla Leith Caoimhin. cm 20x23; pp. 104; COL; paperback. Publisher: Ikon Gallery, Birmingham , 1999.

Georg Gudni-Strange Familiar-The Work of Georg Gudni

cm 23x30; pp. 96; hardcover. Publisher: Perceval Press, Santa Monica, 2005.

Duchamp oltre la fotografia. Strategie dell’infrasottile

Text: Grazioli Elio. paperback. Publisher: Johan & Levi, Monza, 2017.

The Studio

Text: Kennedy Christina, Hoffman Jens. cm 15x21; pp. 128; COL and BW; paperback. Publisher: Hugh Lane Gallery, Dublin, 2007.

Andreas Slominski

Text: Celant Germano. pp. 222; paperback. Publisher: Fondazione Prada, Milano, 2007.

Ars Electronica 2003 Code – The Language of Our Time

Text: Bentley Peter J. , Schiesser Giaco et al. cm 17x24; pp. 400; 200 COL; hardcover with dust jacket. Publisher: Hatje Cantz Verlag, Ostfildern, 2003.

Gilles Peress. Telex Iran

Text: Gholam-Hossein Sa'edi. cm 27x38; pp. 102; 105 bicromie; hardcover. Publisher: Scalo, Zürich, 1997.

French Schmuck #6

 300,00

Light grey cover with printed labels on the front and back, bound dos-à-dos. Unpaginated (98 pp.) Compiled by Jean-Clarence Lambert and designed by David Mayor. Inserted is the booklet by Ben Vautier, ‘Me Ben I Sign’. Artists who made contributions include: Robert Filliou; Jean le Gac; Christian Dotremont; Marcel Broodthaers; Christian Boltanski; Alain Fleischer; Jochen Gerz; Emilio Galli. Publisher: Beau Geste Press, Devon, 1974.

Massimo Vitali. Landscape and Figures

Text: Vitali Massimo. cm 38,5x30; pp. 300; 150 COL; hardcover with dust jacket. Publisher: Steidl Verlag, Göttingen, 2004.

Pedro Cabrita Reis

Text: Melo Alexandre , Corà Bruno et al. cm 23x27; pp. 160; 89 di cui 46 a colori; paperback. Publisher: Charta, Milano, 1999/2000.

On Alinari. Archive in Transition

 35,00

Text: Caraffa Costanza, Wilder Kelley et al. COL and BW; paperback. Publisher: A&Mbookstore Edizioni, Milano, 2021.

Jeppe Hein. Take a walk in the forest at sunlight

Text: Stange Raimar. cm 17x22; pp. 80; 100 COL; hardcover. Publisher: snoeck verlagesellschaft, Koln, 2003.