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"brown trisha"

Trisha Brown: so that the audience does not know whether I have stopped dancing

Text: Eleey Peter, Bither Philip. pp. 96; hardcover. Publisher: Walker Art Centre, Minneapolis, 2008.

Open Systems Rethinking Art in the 1960s and 1970s

Text: De Salvo Donna. cm 27x21; pp. 224; 60 COL e 50 BW ills.; paperback. Publisher: Tate Gallery Publishing, London, 2005.

Parkett #74

cm 21x26; pp. 250; COL and BW; paperback. Publisher: Parkett, Zürich, 2005.

ROBERT RAUSCHENBERG Breaking Boundaries

Text: Mattison Robert S.. pp. 284; 72 BW ills. e 32 COL; hardcover. Publisher: Yale University Press, New Haven, 2003.

Move. Choreographing You

Text: Rosenthal Stephanie. cm 23x29; pp. 192; 150 COL; paperback. Publisher: Buchhandlung Walther König, Köln, 2011.

Gordon Matta-Clark: The Beginning of Trees and the End: Drawings and Notebooks

Text: Fer Briony, Sze Sarah et al. pp. 184; hardcover. Publisher: David Zwirner, New York, 2016.

Falling for Gravity: Invisible Forces in Contemporary Art

Text: James Catherine. pp. 208; paperback. Publisher: Peter Lang, 2017.

Soho – Downtown Manhattan

cm 22x22; pp. 430; BW ills.; paperback. Publisher: Akademie der Künste, Berlin, 1976.

Art-Rite

Text: Robinson Walter. pp. var; paperback. Publisher: Primary Information, New York, 2019.

Laurie Anderson, Trisha Brown, Gordon Matta-Clark: Pioneers of the Downtown Scene, New York 1970s

Text: Goldberg Roselee , Ursprung Philip et al. pp. 240; hardcover. Publisher: Prestel Verlag, Münich, 2011.

Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955-1972

Text: Bennahum Ninotchka, Robertson Bruce et al. pp. 192; hardcover. Publisher: University of California Press, Los Angeles, 2016.

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