Perform, Position, Play was conceived as the script for a dialogue between two actors. It holds what seem to be short paradigms from the world of art or the artist’s universe. Existing of three words each, following the thesis – anti thesis – synthesis model, they can be performed as civil, rational conversation. Equally composed as a sound piece, they can be performed as poetry, or rap. As a reader, they can be projected as a film or shown as a video or be published in a book. As works of art they can be printed and framed. Mixing iconic words from art history with tongue-in-cheek references , observations on daily life, and artists’ slang, the paradigms form a semantic maze with no other purpose than perform, position and play -ay -ay. Demoen and Derycke have had long and hybrid careers in the worlds of art and media. Their triangular serve-and-volley has both depth and freshness, melancholy and playfulness: a book of stories, each condensed in 3 words.
November 9, 1967 – December 19, 1972 La Mer de l’Intranquillité retrace la saga des treize dernières missions Apollo – moins de cent jours de vol cumulés qui changèrent la face du monde. Puisant auprès des 33 000 prises de vue de la NASA (la mission photographique la plus chère au monde), ce timelapse de quelques milliers d’heures et de près de 3 000 vues invite ici à la face cachée d’infinis voyages intérieurs : dans l’effrayant silence du cosmos ou dans les plaines désertes du sol lunaire, dans la tête et les pulsations cardiaques de ces marcheurs perdus dans l’espace, mais aussi, pour les Terriens que nous sommes, dans l’expérience d’un indicible déloignement existentiel… Sea of Intranquillity recounts the saga of the thirteen last Apollo missions – that is to say less than one hundred days of flights that changed the world. Drawing on NASA’s 33,000 shots (the most expensive photographic mission in the world), this timelapse of some thousand hours and including about 3,000 high resolution shots invites here to the hidden side of endless internal voyages, in the frightening cosmos silence or desert lunar plains, in the head and heartbeats of these lost in space walkers and also, for us as earthlings, in the experience of an unspeakable existential de-severance…
Noise after Babel is the result of artistic-theoretical research. It examines the multi-accentuality of language as a potential ground for political engagement. Our general metaphor coupling the words “Babel” and “noise” is based on the idea of a perfectly working system of univocality – the phenomenon whereby a linguistic term has only one meaning assigned to it – that functions without coercion (Babel) but which, after an intervention/change (loss of innocence), is replaced by an unwanted and unbearable situation (noise). The book is authored by Sezgin Boynik and Minna Henriksson, and it contains contributions by Antti ‘Eze’ Eskelinen, Alpo Jaakola, Rastko Močnik, Eetu Viren, and Milena Solomun as well as interviews with researchers Liban Ali Hersi, Minna Hjort, Ulla Horstia, Salli Kankaanpää, Mika Lähteenmäki, Lauri Siisiäinen, and Klaas Ruppel.
Founded in 1987 at the initiation of Kasper König, Portikus is Frankfurt’s hottest venue for contemporary art and has quickly become one of Germany’s leading venues, with an impressive roster of shows by artists such as On Kawara, Luc Tuymans and Franz West. In 2004 Portikus gained a new curator, Nikola Dietrich, a prominent presence on the European art scene. Dietrich has done much to further energize Portikus, and this volume presents a survey of the gallery’s last three years under her guidance. Dietrich has mounted more than 20 exhibitions with international artists, among them Koo Jeong-a, Felix Gmelin, Yoko Ono (in collaboration with students from the Städelschule), Olafur Eliasson, Matthew Ritchie, Chung Seoyoung, Sean Snyder, Mark Leckey, Marjetica Potrc, Tomas Saraceno, Dan Perjovschi, Francis Alÿs, John Baldessari, Daniel Buren and Maurizio Cattelan.
With the ascent of multimedia art, feminist and postcolonial theory, and the collapse of the art gallery’s “white walls,” the 1970s saw countless upheavals and shifts in the paradigms of Western art–upheavals that were recorded by some of today’s finest photographers. The mingling of art and socio-political change in the 1970s is a theme throughout this superb volume, a groundbreaking consideration of one decade’s art through the lenses of its greatest photographers. The 70sincludes about ten photographs by each of the selected artists: Alberto Garcia-Alix, Allan Sekula, Ana Mendieta, Anders Petersen, Carlos Pazos, Christian Boltanski, Cindy Sherman, Claudia Andujar, David Goldblatt, Douglas Huebler, Ed van der Elsken, Eugene Richards, Fina Miralles, Gabriele and Helmut Nothhelfer, Hans-Peter Feldmann, J.D. Okhai Ojeikere, Karen Knorr, Kohei Yoshiyuki, Malick Sidibe, Sophie Calle, Victor Burgin, Viktor Kolar and William Eggleston. Alongside this parade of great photography, The 70salso includes two illustrated essays by relevant artists of the time, as well as presentation texts of the participating artists and a selection of classic writings on photography published in this decade, by Roland Barthes, Susan Sontag, John Berger, Allan Sekula and Victor Burgin. Finally, it supplies a detailed chronology of socio-political transformations and the evolution of photography, illustrated with original documents and news media reproductions.
Drawing a Hypothesis is an exciting reader on the ontology of forms of visualizations and on the development of the diagrammatic view and its use in contemporary art, science and theory. In an intense process of exchange with artists and scientists, Nikolaus Gansterer reveals drawing as a media of research enabling the emergence of new narratives and ideas by tracing the speculative potential of diagrams. Based on a discursive analysis of found figures with the artists’ own diagrammatic maps and models, the invited authors create unique correlations between thinking and drawing. Due to its ability to mediate between perception and reflection, drawing proves to be one of the most basic instruments of scientific and artistic practice, and plays an essential role in the production and communication of knowledge. The book is a rich compendium of figures of thought, which moves from scientific representation through artistic interpretation and vice versa.
Founded in 1956, Polygon was published by architectural students at London’s Regent Street Polytechnic. It was in Polygon’s third issue (1958) that pre-Archigram Poly-student Michael Webb first published his fourth year project for the Furniture Manufacturers Association (1958). Following its publication in Polygon, Webb’s project was widely circulated. It appeared in the inaugural issue of the Architects’ Journal student supplement (April 1959), was criticized by Nikolaus Pevsner for its neo-Expressionist tendencies in the Architectural Review(June 1961), and was included in the 1960 exhibition “Visionary Architecture,” curated by Arthur Drexler at the Museum of Modern Art in New York. In 1961 Peter Cook and David Greene included Webb’s project in the first issue of their new broadsheet, Archigram , which was partially inspired by Polygon. Editorship of Polygon changed over the years, and included John Outram, Wilfred Marden, Andrew Rabeneck, Peter Britton, Paul Power, and John Spence. Issue 7 begins with a vitriolic attack on contemporary attitudes in British architecture and its inefficient and socially unsympathetic uses of technology, but also opens up to a presentation of student projects, Ernesto Nathan Rogers’s pensive reflection on the history and impact of Casabella (“Architecture…the Substance of Things Hoped For”), as well as an article by Serge Chermayeff (“The Shape of Quality”). Although issue 7 ends with editor Paul Power’s cynical conclusion (“We, the young are eager to see what will be the issue of the heroic ‘modern’ age. Or perhaps we have already turned out gaze elsewhere”), Banham fondly recalled that “one memorable issue” of Polygon was “adorned with genuine lipstick kisses by a real living bird.”
Belgian-born artist Francis Alys’s medium is walking. On one walk, he carried a can of paint with a tiny hole punched in it, so a thin stream of color recorded his journey. On another, his sweater unraveled step by step. This project and book began when Alys heard about the Tehuelche people of Patagonia, who gather seasonally to hunt the local flightless birds, nandus, by tracking them over hundreds of kilometers until the birds collapse from exhaustion. “I was fascinated by the absolute simplicity of the technique, and of course the use of walking as a weapon, as a hunting method, Alys says. As Alys sifted through the film he’d shot over three years documenting the hunt, he noticed that mirages became visible on the horizon of a dusty, endless highway and the final work became a two-minute 16mm film showing nothing more than a trip along a highway with an incessantly blurring, unreachable horizon.
The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s.
No other country or political system advanced its cause by attracting and employing acclaimed members of the avant-garde. Among them were writers such as Semion Kirsanov, Vladimir Mayakovsky, Ilya Selvinsky, Sergei Tretyakov and Kornely Zelinsky; artist designers such as Gustav Klutsis, Valentina Kulagina, El Lissitzky, Sergei Senkin, Varvara Stepanova, Solomon Telingater and Nikolai Troshin; and photographers such as Dmitry Debabov, Vladimir Griuntal, Boris Ignatovich, Alexander Khlebnikov, Yeleazar Langman, Alexander Rodchenko and Georgy Petrusov, not to mention many of the best printing plants and bookbinders.
Gorgeously produced, edited and designed, The Soviet Photobook 1920-1941 presents 160 of the most stunning and elaborately produced photobooks from this period and includes more than 400 additional reference illustrations. The book also provides short biographies of the photobook contributors, some of whom are presented for the first time.
Artists: Accame, Adrian, Alviani, Belloli, Bense, Blaine, Bory, Boschi, Bremer. Cant, Caruso, De Campos, Ferro, Gappmayr, Garnier, Gerz, Goeritz, Gomringer, Hanzek, Kolar, Kriwet, Krizmar, Landi, Arrigo Lora, Mangelos, Matanovic, Mayer, Moineau, Morgan, Nannucci, Niikuni, Ovcacek, Parmiggiani, Perfetti, Plamen, Pogacnik, Rocher, Diter Rot, Sarenco, Scheggi, Schmidt, Simonetti, Sitta, Smith, Spatola, Tomic, Ulrichs, Vaccari, Vallari.
Post Scriptum is the largest monograph to date on one of Sweden’s most beloved photographers. Founder of the legendary photography school Fotoskolan in Stockholm in 1962, and an inspiration to two generations of photographers, Christer Strömholm (1918–2002) was one of the first Swedish photographers to attain international prominence. Living in both Sweden and France, he first won acclaim with his photo book Poste Restante, which he followed up with Vännerna från Place Blanche (The Friends from Place Blanche)–portrayals of transsexuals in 1960s Paris. His images from his travels in Japan, Spain and the United States are also widely admired. This volume includes these and numerous other bodies of work, including his portraits of artists such as Duchamp, Breton, Ernst, Giacometti, Klein, Rauschenberg, Spoerri and others, compiling nearly 270 of Strömholm’s best photographs.
Books such as In Memory of Myself and Poste Restante, not to mention a position as head of the eminent Fotoskolan academy in Stockholm, made Christer Stramholm one of Sweden’s most influential twentieth-century photographers. He differed from his colleagues in other ways, too–for instance, he didn’t mind being the subject of a photograph himself. In fact, he enjoyed it. Stramholm passed away in 2002, but these portraits of him by some of Europe’s finest photographers, including Lars Tunbjark, JH Engstram and Anders Petersen, live on.
Rivista autogestita a cura del Gruppo C. M. Benveduti, T. Catalano, F. Falasca Furono pubblicati 29 fascicoli dal dicembre 1975 al marzo 1979 qui raccolti in un unico volume e distinti dalle lettere dell’alfabeto. FASCICOLI DI Vincenzo Agnetti, Art & Language, Maurizio Benveduti, Gianni Blanco, Aldo Braibanti, Ian Burn, Alberto Caronna, Tullio Catalano, Giuseppe Chiari, Claudio Cintoli, Ettore Consolazione, Bruno Cora’, Elvira de Luca, Pippo di Marca, Alberto Faietti, Franco Falasca, Paolo Ferri, Nino Giammarco, Alberto Grifi, Gruppo di Coordinamento, La Linea d’Ombra, Fabio Mauri, Cesare Milanese, Paolo Morawsky, Mario Moroni, Giulio Paolini, Mimmo Pesce, Mimma e Vettor Pisani, Mel Ramsdem, Carmelo Romeo, Harold Rosemberg, Terry Smith, Luciano Trina, Franco Valentini, Andrea Volo, Mariano Zela SONO CITATI TESTI E DOCUMENTI DI APEP, Luois Aragon, Antonin Artaud, Banca Nazionale dell’Agricoltura, Amadeo Bordiga, Elena Boucquei, Aldo Braibanti, Andre’ Breton, Giordano Bruno, Massimo Cacciari, Alberto Cirese, Renzo del Carria, Eduardo del Rio (Ruis), Paul Eluard, Friederich Engels, FLS (Fronte di Liberazione Eritreo), FLM, Giulio Girardi, Antonio Gramsci, Clarissa Henry, Marc Hillel, Julia Kristeva, Nikolai Lenin, Leo Lockwood, Lucio Lombardo Radice, Emilio Lussu, Karl Marx, cfr.NDR, Mao Tse Tung, Pier Paolo Pasolini, Benjamin Peret, Wilhelm Reich, Paolo Spriano, Palmiro Togliatti, Pierre UniK
An anthology “Art and the City” is published on the occasion of the international festival of the same name held in Zurich in summer 2012. Inviting more than 40 artists to present works in the public space, the manifestation takes as a point of departure the transformation of the west area of Zurich from an industrial zone to a trendy residential neighborhood. Gathering together contributions by artists such as Doug Aitken, Ai Weiwei, Lara Almarcegui, Los Carpinteros, Valentin Carron, Martin Creed, Roe Ethridge, Matias Faldbakken, Yona Friedman, Hamish Fulton, Christian Jankowski, San Keller, Paul McCarthy, Matt Mullican, Taiyo Onorato/Nico Krebs, Manfred Pernice, Charlotte Posenenske, Bettina Pousttchi, Fred Sandback, Frank Stella, and Oscar Tuazon, the book explores the condition of cities in the 21st century through the history of art interventions and discussions in the public realm. The publication includes contributions by Max Andrews & Mariana Cánepa Luna, Barbara Basting, Nikolaus Bischoff, Burkhard Brunn, Christoph Bruckner, Selma Dubach, Julien Fronsacq, Ines Goldbach, Elisabeth Grossmann, Erik Herkrath, Helen Hirsch, Angelika Hunziker, Eva Huttenlauch, Claudia Jolles, Hester Keijser, Kristina Krüger, Daniel Morgenthaler, Jutta Nixdorf, Adrian Notz, Marco Obrist, Judith Platte, Anne Pontégnie, Christiane Rekade, Friederike Schmid, Katja Szymczak, Raimar Stange, Eugenio Valdés Figueroa, Katerina Valdivia Bruch, Gianfranco Verna, and Jochen Volz.
Following the huge success of Abrams’ books by artist Andy Goldsworthy comes this striking volume on six important contemporary artists who work in the landscape and make use of the materials and processes of nature. While the artists showcasedherman de vries, Chris Drury, Ian Hamilton Finlay, Nikolaus Lang, Richard Long, and Giuseppe Pennonedo not belong to a particular school, they are united by their empathy for the natural world and their decision to work outside the urban contexts of much modernist art. Profiles of each artist, based on specially commissioned interviews, and an essay placing their art in both historical and contemporary contexts accompany high-quality color reproductions of significant and beautiful works. Here is a book with great appeal not only for art lovers but for anyone who has deep feeling for the natural world.
Neue Welt (New World) documents a group show which investigates the political and, most importantly, the social restructuring of recent years. Going beyond one-dimensional statements, the texts discuss the redefinition of public space, the position of the individual in a society obsessed with spectacle, and the effects of a globalized economy. The catalogue documents works by Haluk Akakçe, Pawel Althamer, Kai Althoff, Michael Elmgreen/Ingar Dragset, Paul Graham, Rodney Graham, Fabrice Gygi, Nikolaus Hirsch, Laura Horelli, Runa Islam, Mike Kelley, Anna Klamroth, Ken Lum, Kenny MacLeod, Seamus Nicolson, Henrik Olesen, Philippe Parreno, Stephen Prina, Gerhard Richter, Jeroen de Rijke/Willem de Rooij, Roth/Stauffenberg, Anri Sala, Anne Tallentire, Wolfgang Tillmans, Barbara Visser, et al.
Christopher Russel photographed public sex with a $20 camera through a hole cut in his jacket pocket. We have a voyeuristic stance on the happenings in this mysterious San Francisco park
Band 1: malerei, plastik, performance.- Band 2: fotografie film video.- Band 3: handzeichnungen, utopisches design, bücher.- Artsts: Berenice Abbott, Hermann Albert, Carl Andre, Ben d’Armagnac, Christian Ludwig Attersee, Vito Acconci, Pierre Alechinsky, Theo Angelopoulos, Arman (Armand Fernandez), Bernhard Aubertin, Valerio Adami, Gerhard Altenbourg, Ottomar Anschütz, Fernando Arrabal, Joannis Avramidis, Robert Adamson, Robert Altman, Horst Antes, Eduardo Arroyo, Alice Aycock, Peter Ackermann, Anatol, Ant Farm, Art & Language, Billy Adler, Gisela Andersch, Shusaku Arakawa, David Askevold, Chantal Akerman, Laurie Anderson, Diane Arbus, Eugène Atget, Francis Bacon, Monika Baumgartl, Joseph Beuys, Fernando Botero, Kevin Brownlow & Andrew Mollo, Michael Badura, Hippolyte Bayard, Michael von Biel, Margaret Bourke-White, Günter Brus, Eduard Denis Baldús, Thomas Bayrle, Werner Bischof, Mathew B. Brady, Anatol Brosilowsky, Balthus, Cecil Beaton, Louis-Auguste Bisson & Auguste-Rosalie Bisson, Brassaï (Gyula Halász), Wojciech Bruszewski, Joachim Bandau, Bernd e Hilla Becher, Irma Blanck, George Brecht, Luis Buñuel, Jared Bark, Stephan Beck, Karl Blossfeldt, KP Brehmer, Chris Burden, Robert Barry, Bill Beckley, Bernhard Blume, George Hendrik Breitner, Daniel Buren, Jennifer Bartlett, John Ernest Joseph Bellocq, Mel Bochner, Heinz Breloh, Scott Burton, Gianfranco Baruchello, Carmelo Bene, Peter Bogdanovich, Robert Bresson, Michael Buthe, Giorgio Batistella, Franz Bernhard, Claus Böhmler, Stuart Brisley, James Lee Byars, Gerd Baukhage, Jean-Marie Bertholin, Blythe Bohnen, Jürgen Brodwolf, Horst H. Baumann, Nuccio Bertone, Karl Bohrmann, Marcel Broodthaers, Bodo Baumgarten, Jean-Louis Bertucelli, Christian Boltanski, Stanley Brouwn, Enzo Cacciola, Robert Capa, Barbara Chase-Riboud, Pinchas Cohen-Gan, Michael Craig-Martin, Julia Margaret Cameron, Henri Cartier-Bresson, Eduardo Chillida, James Collins, Fritz Cremer, Colin Campell, Étienne Carjat, Christo, Miguel Condé, José Luis Cuevas, Peter Campus, Ugo Carrega, Chryssa, Tony Conrad, Edward Curtis, Louis Cane, Lewis Carroll, Chuck Close, Steven Cortright, Veassis Caniaris, Claude Chabrol, Harold Cohen, Claudio Costa, Miodrag Djuric (Dado), Douglas Davis, Walter De Maria, Jim Dine, Juan Downey, Louis Daguerre, Ger Dekkers, Agnes Denes, Henry + Bool Alfred + John Dixon, Peter Downsborough, Hanne Darboven, Willem de Kooning, Fred Deux, Dore O., Michael Druks, Alan Davie, Philip Henry Delamotte, Jan Dibbets, Ugo Dossi, Marcel Duchamp, John Davies, Jack Delano, Braco Dimitrijevic, Christian Dotremont, David Douglas Duncan, Don Eddy, Paul Eliasberg, Heinz Emigholz, Ulrich Erben, Walker Evans, Benni Efrat, Ger van Elk, Ed Emshwiller, Hugo Erfurth, Valie Export, Sergej Eisenstein, Peter Henry Emerson, Leo Erb, Garth Evans, Öyvind Fahlström, Federico Fellini, Dan Flavin, Charles Frazier, Lee Friedlander, Herbert Falken, Roger Fenton, Richard Fleischer, Hermine Freed, Hamish Fulton, Ralston Farina, Armand Fernandez, Lucio Fontana, Will Frenken, Heidi Fasnacht, Vincenzo Ferrari, Fred Forest, Achim Freyer, Rainer Werner Fassbinder, Robert Filliou, Terry Fox, Gisèle Freund, Hans-Peter Feldmann, Wolfgang Gäfgen, Jochen Gerz, Tina Girouard, Dan Graham, Nancy Graves, Abel Gance, Paul-Armand Gette, Michael Gitlin, Eve Gramatzki, Alan Green, Alexander Gardner, Peter Gidal, Wilhelm von Gloeden, Tom J. Gramse, Marty Greenbaum, Winfred Gaul, Wolfram Giersbach, Jean-Luc Godard, Gotthard Graubner, Alberto Grifi, Rupprecht Geiger, Gilbert & George, Hubertus Gojowczyk, Nancy Graves, Robert Grosvenor, Michael Geissler, Frank Gilette, Kuno Gonschior, Walter Grasskamp, Hetum Gruber, Arnold Genthe, Raimund Girke, Camille Graeser, Gotthard Graubner, Renato Guttuso, Roel D’Haese, Haus-Rucker-Co, Wilhelm Hein, Lewis Hine, Nan Hoover, Helfried Hagenberg, Erich Hauser, Bernhard Heisig, Leon Hirszman, Rebecca Horn, David Hall, Lady Hawarden, Michael Heizer, Antonius Höckelmann, Horst P. Horst, Nigel Hall, Ron Hays, Al Held, David Hockney, George Hoyningen-Huene, Phillipe Halsman, Tim Head, Werner Herzog, Anatol Herzfeld, Alfred Hofkunst, Richard Hamilton, Erwin Heerich, Eva Hesse, Rudolf Hoflehner, Douglas Huebler, Heijo Hangen, Axel Heibel, David Octavius Hill, Edgar Hofschen, Danièle Huillet, Noriyuki Haraguchi, Birgit Hein, John Hilliard, Hans Hollein, Alfonso Hüppi, Karl Horst Hödicke, Shohei Imamura, Will Insley, Jean Ipoustéguy, Patrick Ireland, Hans Paul Isenrath, Ken Jacobs, Paul Jaray, Jasper Johns, Francis Benjamin Johnston, Miklós Jancsó, Jo Jastram, J. Douglas Johnson, Donald Judd, Horst Janssen, Alejandro Jodorowsky, Joan Jonas, Martha Jungwirth, Wolf Kahlen, Buster Keaton, Jürgen Klauke, Beril Korot, Ferdinand Kriwet, Max Kaminski, Ellsworth Kelly, Alexander Kluge, Joseph Kosuth, Germaine Krull, Howard Kanovitz, Michael Kenny, Werner Knaupp, Jannis Kounellis, Shigeko Kubota, Tadeusz Kantor, André Kertész, Günther Knipp, Andras Kovács, Stanley Kubrick, Allan Kaprow, Anselm Kiefer, Milan Knížák, Attila Kovács, Gary Kuehn, Dani Karavan, Harry Kipper, Imi Knoebel, Kurt Kren, Marin Karmitz, Alain Kirili, Alice Kochs, Dieter Krieg, Gertrude Kasebier, Ronald B. Kitaj, Christof Kohlhöfer, Richard Kriesche, On Kawara, Konrad Klapheck, Jiří Kolář, Les Krims, Willem de Kooning, László Lakner, Barry Le Va, Michael Leisgen, Lawrence Lobe, Urs Lüthi, Arthur Lamothe, Russell Lee, Les Levine, Francisco Lopez, Georg Platt Lynes, Richard Landry, Jean Le Gac, Sol LeWitt, Antonio Lopez-Garcia, Nikolaus Lang, Gustave Le Gray, Roy Lichtenstein, Joseph Losey, Dorothea Lange, Malcolm Le Grice, Richard Lindner, Bernhard Luginbühl, John Latham, Barbara Leisgen, Michael Lingner, Bernhard Lüthi, Heinz Mack, Kenneth Martin, Gerhard Merz, Alexander Mitta, Robert Morris, Nino Malfatti, Charles Marville, Mario Merz, Milan Mölzer, Alfons Maria Mucha, Felix H. Man (Hans Baumann), Roberto Matta, Borg Mesch, Bernard Moninot, Ugo Mulas, Robert Mangold, Gordon Matta-Clark, Anette Messager, Henry Moore, Antoni Muntadas, Andy Mann, Wolfgang Mattheuer, Adolphe de Meyer, Stefan Moore, Walter Murch, Werner Mantz, Cynthia Lee Maughan, Duane Michals, Carmengloria Morales, J.-J. Murphy, Piero Manzoni, Antony McCall, Henri Michaux, Marcello Morandini, Zoran Mušič, Giacomo Manzù, Barry McCallion, Rune Mields, Pit Morell, Eadweard Muybridge, Robert Mapplethorpe, Bruce McLean, Antoni Miralda, François Morellet, Brice Marden, Syd Mead, Josef Mikl, Maria Moreno, Agnes Martin, Dariush Mehrjui, Joan Miró, Malcolm Morley, Tomitaro Nachi, Bruce Nauman, Wolfgang Nestler, Joseph Nicéphore Niépce, Maria Nordman, Félix Nadar, Charles Nègre, Richard Newton, Ansgar Nierhoff, Gabriele & Helmut Nothhelfer, Maurizio Nannucci, Werner Nekes, Max Neuhaus, Richard Nonas, Lev V. Nussberg, Dore O., Timothy O’Sullivan, Roman Opalka, Nagisa Oshima, Oswald Oberhuber, Claes Oldenburg, Dennis Oppenheim, Jean Otth, Brian O’Doherty, Claudio Olivieri, Anna Oppermann, Hilmar Pabel, Giulio Paolini, A. R. Penck, Pablo Picasso, Lucio Pozzi, Nam June Paik, Eduardo Paolozzi, Peng-Wan-Ts, Otto Piene, Heinz-Günter Prager, Blinky Palermo, Gordon Parks, Beverly Pepper, Walter Pichler, Mario Prassinos, Magnus Palsson, Sergei Paradschanow, Elio Petri, Anne & Patrick Poirier, Panamarenko, Pier Paolo Pasolini, Wolfgang Petrick, Sigmar Polke, Gina Pane, Max Peintner, Friederike Pezold, Don Potts, Isabel Quintanilla, Daniel Quintero, William Raban, John Reilly, Jacob August Riis, Peter Roehr, Ed Ruscha, David Rabinowitch, James Reineking, Bridget Riley, Ulrike Rosenbach, Ken Russell, Arnulf Rainer, Albert Renger-Patzsch, Klaus Rinke, James Rosenquist, Claude Rutault, Yvonne Rainer, Jean Renoir, Larry Rivers, Francesco Rosi, Reiner Ruthenbeck, Robert Rauschenberg, Alain Resnais, Jacques Rivette, Roberto Rossellini, Robert Ryman, Man Ray, Erich Reusch, Józef Robakowski, Dieter Roth, Éric Rohmer, Tony Ray-Jones, Hans Peter Reuter, Dorothea Rockburne, Arthur Rothstein, Martial Raysse, George Warren Rickey, Alexander Rodtschenko, Gerhard Rühm, Reindeer Werk, Hans Salentin, Tomas Schmit, Eugen Schönebeck, Michael Singer, Edward Steichen, Sohrab Shadid Saless, Wolfgang Schmitz, Martin Schwarz (Künstler), Willi Sitte, Saul Steinberg, Erich Salomon, Helmut Schober, Martin Scorsese, Neal Slavin, Frank Stella, Lucas Samaras, Eugen Schönebeck, George Segal, David Smith, Alfred Stieglitz, Fred Sandback, Ben Schonzeit, Antonio Seguí, Robert Smithson, Sir Benjamin Stone, August Sander, Rudolf Schoofs, Friedrich Seidenstücker, Fernando Ezequiel Solanas, Paul Strand, Sarkis Zabunyan, Jan Schoonhoven, Richard Serra, Michael Snow, Jean-Marie Straub, Antonio Saura, Werner Schroeter, Ben Shahn, Alan Sonfist, Liselotte Strelow, Konrad Balder Schäuffelen, Heinz Schubert, Joel Shapiro, Eve Sonneman, Michell Stuart, Georgij Schengalaja, Alf Schuler, Charles Sheeler, Keith Sonnier, Josef Sudek, Alexander Schleber, HA Schult, Stephen Shore, Daniel Spoerri, István Szábo, Barbara Schmidt-Heins, Bernard Schultze, Katharina Sieverding, Klaus Staeck, Gabriele Schmidt-Heins, Emil Schumacher, Charles Simonds, Ted Stamm, Jiro Takamatsu, Andrej Tarkowskij, George Trakas, Peter Tuma, Vassilakis Takis, André Thomkins, François Truffaut, Deborah Turbeville, William Henry Fox Talbot, Jean Tinguely, Costas Tsoclis, Richard Tuttle, Antoni Tàpies, Gérard Titus-Carmel, Werner Tübke, Cy Twombly,Günther Uecker, Lee U Fan, Timm Ulrichs, Ursula Schultze-Bluhm, Giuliano Vangi, Wladimir Veličkovič, Bill Viola, Klaus Vogelsang, Hannsjörg Voth, Agnès Varda, Bernard Venet, Luchino Visconti, Wolf Vostell, Andrzej Wajda, Weegee, Orson Welles, Gottfried Wiegand, Claus Peter Wittig, Willie Walker, William Wegman, Wim Wenders, Klaus Wildenhahn, Krzysztof Wodiczko, Franz Erhard Walther, Peter Weibel, Lina Wertmüller, Dorothee von Windheim, Erwin Wortelkamp, Andy Warhol, Lawrence Weiner, Dsiga Wertow, Gerd Winner, Fritz Wotruba, Ryszard Wasko, Roger Welch, Marthe Wéry, Reindert Wepko van de Wint, Klaus Wyborny, Wolfgang Weber, Peter Weller, Tom Wesselmann, Rainer Wittenborn, Keigo Yamamoto, Yves Yerson, Yoshio Yoshida, Frank Young, Herbert Zangs, Gianfranco Zappettini, Jerry Zeniuk, Heinrich Zille, Krzysztof Zanussi, Michele Zaza, Christian Ziewer, Zush
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