"rorimer anne"

Dan Flavin. Series and Progressions

pp. 155; hardcover. Publisher: Steidl Verlag, Göttingen, 2010.

A Minimal Future? . Art as Object 1958-1968

Text: Goldstein Ann, Mark Lisa. pp. 400; 300 ills.; hardcover. Publisher: M.I.T. Press, Cambridge, 2004.

Rewriting Conceptual Art

Text: Newman Michael, Bird Jon. cm 15,5x23,5; pp. 256; 80 ill.; paperback. Publisher: Reaktion Books, London , 1999.

New Art in the 60s and 70s. Redefining Reality

Text: Rorimer Anne . cm 24,5x19,2; pp. 304; 303; paperback. Publisher: Thames & Hudson, London, 2004.

Dan Graham. Buildings and Signs

Text: Rorimer Anne, Graham Dan. cm 21,5x28; pp. 56; 48 ill. BW ills.; paperback. Publisher: Renaissance Society, Chicago, 1981.

Michael Asher

pp. 64; paperback. Publisher: Renaissance Society, Chicago, 1991.

State of Mind: New California Art Circa 1970

Text: Lewallen Constance, Rorimer Anne et al. pp. 320; hardcover. Publisher: University of California Press, Los Angeles, 2011.

Public Space, Two Audiences

Text: Diederichsen Diedrich, Borja-Villel Manuel. pp. 430; hardcover. Publisher: Actar, Barcelona, 2006.

Reconsidering the Object of Art 1965-1975

Text: Goldstein Ann, Jenkins Susan L. et al. cm 22x28; pp. 336; COL and BW; paperback. Publisher: M.I.T. Press, Cambridge, 1995.

Light Years: Conceptual Art and the Photograph, 1964-1977

Text: Godfrey Mark, Rorimer Anne et al. pp. 288; hardcover. Publisher: Yale University Press, New Haven, 2012.