product

"ross michael"

Black Male. Representation of Masculinity in Contemporary American Art

Text: Golden Thelma, Guerrero Ed et al. cm 16,5x24; pp. 224; COL and BW; paperback. Publisher: Whitney Museum of American Art, New York , 1994.

Hong Kong. Front Door/Back Door

Text: Baker Kenneth, Young Douglas. cm 36.5x27; pp. 120; COL; hardcover. Publisher: Thames & Hudson, London, 2005.

Diaries and dreams. Works on paper

cm 24.5 x 30.2; pp. 256; hardcover. Publisher: JRP Ringier, Zürich, 2005.

The Judith Rothschild Foundation Contemporary Drawings Collection

Text: Garrels Gary, Butler Cornelia H. et al. pp. 616; hardcover. Publisher: Thames & Hudson, London, 2009.

“The Velvet” underground

Text: Liegh Michael. pp. 192; paperback. Publisher: Macfadden, New York, 1963.

Situation

Text: Doherty Claire. pp. 238; paperback. Publisher: M.I.T. Press, Cambridge, 2009.

Dan Flavin A Retrospective

Text: Govan Michael , Smith Brydon E. et al. pp. 208 ; 100 COL; paperback. Publisher: Yale University Press, New Haven, 2004.

Jenny Holzer. Die Macht des Wortes The Power of Words

Text: W. Block Friedrich , Müller Michael et al. cm 21x27; pp. 144; COL; hardcover. Publisher: Hatje Cantz Verlag, Ostfildern, 2005.

She

 70,00

Text: McKenna Kristine. pp. 112; 106 COL; hardcover. Publisher: Michael Kohn Gallery, Los Angeles, 2009.

Steven Leiber: Catalogs

 60,00

Text: Leiber Steven, Fitzpatrick Chris et al. cm 26x26; pp. 252; paperback. Publisher: Inventory Press & RITE Editions, 2019.

Mona Hatoum

Text: Archer Michael , De Zegher Catherine et al. cm 25x29; pp. 160; COL and BW; paperback. Publisher: Phaidon Press, London, 1995.

Conversation at The Castle. Changing Audiences and Contemporary Art

Text: Jacob Mary Jane, Brenson Michael. pp. 173; COL and BW; hardcover. Publisher: M.I.T. Press, Cambridge, 1998.

Monuments for the USA

Text: Rugoff Ralph . pp. 160; 70 COL; paperback. Publisher: CCA Wattis Institute, San Francisco, 2005.

Listen, Whitey!

Text: Thomas Pat. pp. 224; hardcover. Publisher: Fantagraphics Books, Seattle, 2012.

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