"byars james lee"

l.e.d.1.f.s.l.e.f.s.p. L’estate del 1983 fu straordinariamente lunga e fresca: senza precedenti

Text: Tazzi Pier Luigi, Barbiellini Amidei Rosanna. pp. 36; COL ; staple binding. Publisher: Comune di Marciana - Associazione Marciana Castello, 1983.

Based on paper: the Marzona collection : revolution in art, 1960-1975

Text: Lailach Michael, Marzona Egidio et al. cm 24x27,5; pp. 183; hardcover. Publisher: Buchhandlung Walther König, Köln, 2007.

James Lee Byars. The Epitaph of Con. Art is which Questions have disappeared?

Text: Haenlein Carl, Stoeber Michael et al. cm 17X23; pp. 236; COL and BW; hardcover. Publisher: Kestner Gesellschaft, Hannover, 1999.

James Lee Byars. The Perfect Moment

Text: Heil Heinrich, Power Kevin et al. cm 29x28,5; pp. 306; 105 ill. COL e 51 BW ills.; hardcover. Publisher: IVAM Centre Julio Gonzalez, Valencia, 1995.

Projects Class Cards, Nova Scotia College of Art and Design, Fall 1969

Text: Askevold David. pp. 12; Publisher: Nova Scotia College of Art and Design Press, Halifax, 1969.

Art in the Mind

cm 22x28; BW ills.; Publisher: Allen Art Museum, 1970.

Artists Talk. 1969-1977

Text: Gale Peggy. pp. 385; 12 BW ills.; paperback. Publisher: Nova Scotia College, Halifax, 2004.

Documenta 6: Kassel 1977

Text: Schneckenburger Manfred. pp. 3 voll; paperback. Publisher: Dierichs, 1977.

The Quick and the Dead

Text: Eleey Peter, Osborne Peter et al. pp. 352; hardcover. Publisher: Walker Art Centre, Minneapolis, 2009.