Cinema

Film as a Subversive Art

Text: MacDonald Scott, Vogel Amos. cm 16x21; pp. 344; 300 COL; paperback. Publisher: ICI - Independent Curators Inc., New York , 2005.

Stan VanDerBeek: The Culture Intercom

Text: Arning Bill, VanDer Beek Stan et al. pp. 104; paperback. Publisher: M.I.T. List Visual Arts Center, 2011.

John Smith

Text: Herbert Martin, Christie Ian. cm 16x24; pp. 236; 178 COL e 25 BW ills.; hardcover. Publisher: Sternberg Press, New York, 2013.

Glimpses of Freedom: Independent Cinema in Southeast Asia

Text: Adadol Ingawanij May, McKay Benjamin. pp. 260; paperback. Publisher: Cornell University, 2011.

FILMFRONTAL Das unabhängige Film- und Videoschaffen der 1970er- und 1980er-Jahre in Basel [+DVD]

Text: Berger Urs, Zutavern Julia et al. pp. 200; hardcover. Publisher: Friedrich Reinhardt Verlag, Basel, 2010.

Tracey Moffatt

Text: Yau John, Rebhandl Bert et al. cm 21,5x29; pp. 132; COL and BW; paperback. Publisher: Hatje Cantz Verlag, Ostfildern, 1998.

Il verosimile filmico

Text: Della Volpe Galvano. paperback. Publisher: Samonà e Savelli, Roma, 1971.

Le icone fluttuanti. Storia del cinema d’artista e della videoarte in Italia. Vol. 1

Text: Madesani Angela. cm 17x22; pp. 245; COL and BW; paperback. Publisher: Bruno Mondadori, Milano, 2002.

DOMINIQUE GONZALEZ-FOERSTER. FILMS

Text: Rehm Jean-Pierre, Birnbaum Daniel. cm 24x17,5; pp. 128; 105 COL; paperback. Publisher: Portikus, Frankfurt am Main , 2003.

Ombre rosse #5

paperback. Publisher: Samonà e Savelli, Roma, 1974.

Topfilm #1 vol. 1. Mettons un soir a diner

pp. 88; COL and BW; staple binding. Publisher: Anstalt Shaan, 1970.

Helio Oiticica. Quasi-cinemas

pp. 176; 50 COL; hardcover with dust jacket. Publisher: Hatje Cantz Verlag, Ostfildern, 2002.