Stan Brakhage: Metaphors on Vision

pp. 212; paperback. Publisher: Anthology Film Archive, 2017.

Yvonne Rainer: Radical Juxtapositions 1961-2002

pp. 151; paperback. Publisher: The University of the Arts, 2003.

Carlo Ludovico Ragghianti e il carattere cinematografico della visione

Text: Baracchini Clara, Lischi Sandra et al. cm 24x28; pp. 336; 98 COL e 254 BW ills.; paperback. Publisher: Charta, Milano, 2000.

Building Sci-Fi Moviescapes: The Science Behind The Fiction

Text: Hanson Matt. cm 23x26; pp. 176; paperback. Publisher: RotoVision SA, Hove, 2005.

An introduction to the american underground film

Text: Renan Sheldon , van Dyke Willard. cm 11x18,5; pp. 320; BW ills.; paperback. Publisher: E. P. Dutton & Co., New York, 1967.

Tony Conrad: Writings

pp. 250; paperback. Publisher: Primary Information, New York, 2019.

Nollywood: the video phenomenon in Nigeria

Text: Barrot Pierre. pp. 147; paperback. Publisher: Indiana University Press, Bloomington, 2009.

The casting

Text: Michalka Matthias. pp. 174; 90 COL; paperback. Publisher: Buchhandlung Walther König, Köln, 2010.

Godard: images, sounds, politics

Text: MacCabe Colin, Godard Jean-Luc et al. pp. 175; paperback. Publisher: Macmillan, London, 1980.

The Cinema of Sergei Parajanov

cm 15x23; pp. 326; paperback. Publisher: The University of Wisconsin Press, 2013.

The cinematic

Text: Campany David. pp. 221; paperback. Publisher: M.I.T. Press, Cambridge, 2007.

I Seem to Live: The New York Diaries, 1969–2011: Volume 2

pp. 800; BW ills.; paperback. Publisher: Spector Books, Leipzig, 2022.

Wim Wenders. Tokyo-Ga

cm 21,5x15,5; pp. 64; paperback. Publisher: Galrev, Berlin, 1986.

Presence and Absence. The Michael Snow Project

Text: Testa Bart, Elder Kathryn et al. cm 16,5x24,5; pp. 256; BW ills.; paperback. Publisher: Art Gallery of Ontario, Toronto, 1995.

Ombre rosse #7

paperback. Publisher: Samonà e Savelli, Roma, 1974.

Ombre rosse #1

paperback. Publisher: Samonà e Savelli, Roma,.