Text: Sinclair Iain. cm 13,5x19; pp. 128; COL and BW; paperback. Publisher: BFI, London, 1999.

Apichatpong Weerasethakul: For Tomorrow For Tonight

Text: Butler Maeve, Juncosa Enrique et al. pp. 152; 128 COL; hardcover. Publisher: Irish Museum of Modern Art, Dublin, 2011.

Cinema, Censorship, and the State: The Writings of Nagisa Oshima, 1956-1978

Text: Michelson Annette, Lawson Dawn. pp. 320; hardcover. Publisher: M.I.T. Press, Cambridge, 1992.

By Brakhage – Anthology [2 DVD]

cm 2 DVD; pp. 243’; COL and BW; Publisher: Criterion , , 2003.

Structural Film Anthology

Text: Gidal Peter. pp. 140; paperback. Publisher: BFI, London, 1976.

Pornologie vs capitalisme : Le groupe de happening Zero Jigen, Japon 1960-1972


Text: Fernandés Brumo. cm 17x24; pp. 464; BW ills.; paperback. Publisher: Les Presses du Reél, Dijon, 2014.

The Camera and I

pp. 280; paperback. Publisher: International Publishers, 1969.

Thirty Frames Per Second. The Visionary Art of the Music Video

Text: Reiss Steven, Stipe Michael et al. pp. 272; hardcover. Publisher: Harry N. Abrams, New York, 2000.

Chris Marker – Silent movie and selected screenings


Text: Swenson Ingrid, Horsfield Craigie. cm 21x30; pp. 16; BW ills.; paperback. Publisher: Pier & Beaconsfield, , 1999.

Scrapbook of the Sixties: Writings 1954 – 2010


Text: Konig Anne. cm 16x21,5; pp. 456; 92 BW ills.; paperback. Publisher: Spector Books, Leipzig, 2015.

Making Time. Considering Time as a Material in Contemporary Video & Film

Text: Cappellazzo Amy. pp. 98; COL and BW; paperback. Publisher: Palm Beach ICA, Lake Worth, 2000.

Il Girasole. A House Near Verona [+DVD]

Text: Schaub Christoph, Meili Marcel. pp. 48; paperback. Publisher: Verlag Scheidegger & Spiess, Zürich, 2010.