Critical Texts and Essays

Painting as a Model

Text: Bois Yve-Alain. cm 17,5x23; pp. 330; BW ills.; paperback. Publisher: M.I.T. Press, Cambridge, 1993.

Harald Szeemann. L’arte di creare mostre

Text: Szeemann Harald, Stazzone Ambra. pp. 258; paperback. Publisher: Fausto Lupetti Editore, Milano, 2014.

La società dello spettacolo

 40,00

Text: Debord Guy. cm 10x18,5; pp. 176; COL; paperback. Publisher: De Donato Editore, Bari, 1968.

The Cyberspace Lexicon

Text: Cotton Bob, Oliver Richard. cm 25x25; pp. 224; COL and BW; paperback. Publisher: Phaidon Press, London, 1994.

Ends of the Earth: Art of the Land to 1974

Text: Kaiser Philipp, Sharp Willougbhy et al. cm 25x25; pp. 264; 400 COL; hardcover. Publisher: Prestel Verlag, Münich, 2012.

L’image au service de la rèvolution: photographie, surrèalisme, politique

Text: Poivert Michel. pp. 124; paperback. Publisher: Le Point du Jour, Cherbourg-Octeville, 2006.

L’arte e la sua ombra

Text: Perniola Mario. pp. 116; Publisher: Einaudi, Torino, 2000.

Louise Bourgeois. Destruction of the Father, Recostruction of the Father

Text: Bernadac Marie-Laure, Obrist Hans Ulrich. cm 16x21,5; pp. 384; BW ills.; paperback. Publisher: Violette Editions, London, 1998.

El Movimiento de la fotografÌa obrera, 1926-1939

cm 17x23; pp. 438; paperback. Publisher: TF. Editores, Madrid, 2011.

Disgusti – Le Nuove Tendenze Estetiche

Text: Perniola Mario. cm 13x21,5; pp. 84; paperback. Publisher: Costa & Nolan, Milano, 1998.

L’oggetto “inutile”

Text: Sossi Franco, Restany Pierre et al. cm 16x24; pp. 108; paperback. Publisher: Fantini Editrice, Roma, 1972.

Traffic: Conceptual Art in Canada 1965-1980

Text: Arnold Grant , Henry Karen. cm 20x25; pp. 176; 175 COL; paperback. Publisher: D&M Publishers, Vancouver, 2012.

Mark Rothko. a biography

Text: Breslin James E. B.. cm 16,5x24; pp. 700; 28 ill. COL e 52 BW ills.; paperback. Publisher: The University of Chicago Press, Chicago , 1998.

Encuentros de Pamplona 1972: fin de fiesta del arte experimental

 120,00

Text: Molins Patricia, Cuyas Jose Diaz. pp. 416; COL and BW; paperback. Publisher: Centro de Arte Reina Sofia, Madrid , 2010.

IMAGE DUPLICATOR. Roy Lichtenstein and the Emergence of Pop Art

Text: Lobel Michael. pp. 224; 40 COL e 70 BW ills.; hardcover. Publisher: Yale University Press, New Haven, 2002.

The third hand: collaboration in art from conceptualism to postmodernism

Text: Green Charles. pp. 246; paperback. Publisher: University of Minnesota Press, Minneapolis, 2001.