I Am a Bullet. Scenes from an Accelerating Culture

Text: Kuipers Dean. cm 28,5x26; pp. 192; COL; hardcover. Publisher: Crown, New York, 2000.

Performativity and Event in 1960s Japan: City, Body, Memory

Text: Eckersall Peter. pp. 192; hardcover. Publisher: Palgrave Macmillan, 2013.

Zils. The art of playing finger cymbals

Text: Spencer Delgado Mimi. pp. 58; BW ills.; spiral binding. Publisher: Jazayer Publications, Forest Knolls, 1977.

Vito Acconci. waterways. four saliva studies [CD audio]

Publisher: Squint Fucker Press, Montreal, 2002.

Pietrarte. Land Art a Livigno

Text: Perotti Gianni, Rendina Luca. cm 24x17; pp. 80; 43 col. e 23 BW ills.; paperback. Publisher: Charta, Milano, 2000.

THE HORSE WOULD KNOW, BUT THE HORSE CAN’T TALK Premio Querini Stampalia-FURLA per l’arte

Text: Bertola Chiara , Pietromarch Bartolomeo et al. cm 14,5x21; pp. 124; 20 ill. COL e 65 BW ills.; paperback. Publisher: Charta, Milano, 2002.

Form Follows Fiction: Forma e finzione nell’arte di oggi

Text: Deitch Jeffrey. cm 24,4x28; pp. 252; 143 ill. COL e 5 BW ills.; paperback. Publisher: Charta, Milano, 2001.

Franko B.

Text: Keidan Lois, Sinclair Nicholas et al. cm 24x33; pp. 108; 60 bicromie; paperback. Publisher: Black Dog Publishing, London , 1998.

Cai Guo-Quiang. I am the Y2K Bug

Text: Hasegawa Yuko, Wenzel Michael et al. cm 23,5x16,5; pp. 72; COL and BW; paperback. Publisher: Buchhandlung Walther König, Köln, 1999.

Laurie Anderson. Empty Places

Text: Anderson Laurie. cm 14,5x19,5; pp. 120; BW ills.; paperback. Publisher: Schirmer / Mosel, München, 1994.

Franz Erhard Walther: Arbeiten 1955 – 1963

paperback. Publisher: DuMont Verlag, Köln, 1972.

The Explicit Body in Performance


Text: Schneider Rebecca. cm 15,5x23,5; pp. 238; BW ills.; paperback. Publisher: Routledge, Andover, 1997.

Tim Rollins and K.O.S. A History

Text: Berry Ian. pp. 220; 120 COL; paperback. Publisher: M.I.T. Press, Cambridge, 2009.