Sound Art

Electronic Music Review #5

Text: Appleton Jon, Schonberg Harold C. et al. cm 21x28,5; pp. 48; BW ills.; staple binding. Publisher: Independent Electronic Music Center, Trumansburg, 1968.

Noise, Water, Meat: A History of Sound in the Arts

Text: Kahn Douglas. cm 17,5x22,5; pp. 472; paperback. Publisher: M.I.T. Press, Cambridge, 2001.

Sonic Process. Une nouvelle géographie des sons [+CD audio]

Text: Van Assche Christine. cm 19x24; pp. 312; 50 bicromie; paperback. Publisher: Centre Georges Pompidou, Paris, 2002.

Vinyl, Records and Covers by Artists

Text: Schraenen Guy. pp. 268; COL and BW; paperback. Publisher: Neues Museum Weserburg, Bremen, 2006.

Every day is a good day

Text: Millar Jeremy, Wright Lauren et al. pp. 160; paperback. Publisher: Hayward Gallery, London, 2010.

Genesis of a Music

Text: Partch Harry. cm 15X22; pp. 518; BW ills.; paperback. Publisher: Da Capo Press, New York, 1979.

Dieter Roth: Discography

 50,00

Text: Schraenen Guy. pp. 224; paperback. Publisher: Edizioni Periferia, Luzern, 2015.

Electronic Music Review #4

Text: Cary Tristram, von Reichenbach Fernando et al. cm 21x28,5; pp. 48; BW ills.; staple binding. Publisher: Independent Electronic Music Center, Trumansburg, 1967.

Democracy of Sound: Music Piracy and the Remaking of American Copyright in the Twentieth Century

Text: Cummings Alex Sayf. pp. 272; hardcover. Publisher: Oxford University Press, New York, 2013.

Grenzgebiete der Bildenden Kunst. Konkrete Poesie – Bild Text Textbilder – Computerkunst – Musikalische Graphik

Text: Wynen Arnulf F., Cremer Siegfried. BW ills.; paperback. Publisher: Staatsgalerie Stuttgart, Stuttgart, 1972.

Home Made Soundelectronics: Hardware Hacking und andere Techniken: Ideen – Projekte – Experimente [+DVD]

Text: Landwehr Dominik. pp. 144; paperback. Publisher: Christoph Merian Verlag, Basel, 2010.

Metafisica del silenzio. John Cage, l’Oriente e la nuova musica

 24,50

Text: Porzio Michele. cm 17x24; pp. 320; paperback. Publisher: Auditorium Edizioni, Milano, 2008.