Theories and Documents of Contemporary Art. A Sourcebook of Artists’ writings

The third collection in the series that includes Theories in Modern Art (1968) and Nineteenth-Century Theories of Art (1987), this wide-ranging and comprehensive anthology of writings and statements by artists is indispensable to an understanding of postwar visual arts. Each of the nine sections (“Art and Technology,” “Process,” etc.) is introduced with a general overview of the artists and influences that fall within its scope. The range of artists included is impressive. Besides such well-known American artists as Andy Warhol and Robert Rauschenberg, a broad selection of non-Americans is represented, including Magdalena Abakanowicz and Georg Baselitz. The vast amount of material collected is well organized and appropriately illustrated. An extensive bibliography (on movements as well as individual artists) complements the work

Text: Stiles Kristine, Selz Peter. cm 18×25,5; pp. 1004; 111 BW ills.; paperback. Publisher: University of California Press, Los Angeles, 1996.

ISBN: 9780520202535| 0520202538

ID: AM-1652

Product Description

The third collection in the series that includes Theories in Modern Art (1968) and Nineteenth-Century Theories of Art (1987), this wide-ranging and comprehensive anthology of writings and statements by artists is indispensable to an understanding of postwar visual arts. Each of the nine sections (“Art and Technology,” “Process,” etc.) is introduced with a general overview of the artists and influences that fall within its scope. The range of artists included is impressive. Besides such well-known American artists as Andy Warhol and Robert Rauschenberg, a broad selection of non-Americans is represented, including Magdalena Abakanowicz and Georg Baselitz. The vast amount of material collected is well organized and appropriately illustrated. An extensive bibliography (on movements as well as individual artists) complements the work

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