All Tomorrow’s parties. Billy Name’s Photographs of Andy Warhol’s Factory

The prints in this catalog leave a very different impression even while covering the same subject. In 1968, when the Factory moved to its second location and lost its silver walls, Name began taking color photographs, but he only recently rediscovered the film and made prints. Because of aging, the colors are sometimes strange and garish, which only adds to an incredible vitality in these candid portraits. Though the faces are familiar, those washed-out hipsters suddenly look young, naive, and energetic.

Text: Hichey Dave, Name Billy et al. cm 23×29; pp. 144; COL and BW; hardcover. Publisher: Durian Publications, London , 1997.