The curator in his essay and the two artists in their work have one thing in common: the question of space. In the 1990s, Kippenberger had the idea (documented here through drawings and a poster) of an underground network encircling the whole world. Opposite this, H fer’s photographs show such interiors as MoMA, an underground station in Oslo, and the German pavilion at the Venice Biennale, all absent of any human presence.
Text: Heynen Julian. cm 15×21,5; pp. 104; COL and BW; paperback. Publisher: Buchhandlung Walther König, Köln, 2003.
ISBN: 9783883757049| 3883757047
The curator in his essay and the two artists in their work have one thing in common: the question of space. In the 1990s, Kippenberger had the idea (documented here through drawings and a poster) of an underground network encircling the whole world. Opposite this, H fer’s photographs show such interiors as MoMA, an underground station in Oslo, and the German pavilion at the Venice Biennale, all absent of any human presence.
Text: Lingwood James, Schutte Thomas et al. cm 25,5x29,5; pp. 160; COL and BW; paperback. Publisher: Phaidon Press, London, 1998.
cm 25x30; pp. 120; 50 Col; hardcover. Publisher: Schirmer / Mosel, München, 2007.
Text: Ammann Jean-Christophe. cm 32x32; pp. 132; COL and BW; hardcover. Publisher: Hatje Cantz Verlag, Ostfildern, 2000.
Text: Steinweig Marcus. cm 17x24; pp. 48; 13 COL e 5 BICR; paperback. Publisher: Charta, Milano, 1996.
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