This introduction to conceptual art explores the reasons why the new avant-garde chose to produce such work. Conceptual art has set out to undermine two concepts associated with art – the production of objects to look at, and the act of contemplative looking itself.
Text: Wood Paul. pp. 80; COL e 60 BW ills.; paperback. Publisher: Tate Gallery Publishing, London, 2004.
ISBN: 9781854373854| 1854373854
This introduction to conceptual art explores the reasons why the new avant-garde chose to produce such work. Conceptual art has set out to undermine two concepts associated with art – the production of objects to look at, and the act of contemplative looking itself.
Text: Harrison Charles, Wood Paul . cm 15,5x23; pp. 1189; paperback. Publisher: Blackwell, Oxford, 1999.
Text: Newman Michael, Potts Alex et al. cm 17x23,5; pp. 68; BW ills.; paperback. Publisher: MOMA Museum of Modern Art Oxford, Oxford, 1996.
Text: Harrison Charles, Wood Paul. cm 25x17; pp. 1288; COL and BW; paperback. Publisher: Blackwell Publishers, , 2002.
Text: Harrison Charles, Gaiger Jason et al. cm 15,5x23; pp. 1098; paperback. Publisher: Blackwell, Oxford, 1998.
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