Published in conjunction with an exhibition at the ZKM Center for Art and Media in Karlsruhe, Germany, this timely catalog of the emerging genre of surveillance art is the first to compile critical essays discussing the history of surveillance, dating from Jeremy Bentham’s Panopticon in 1787 to the present. The catalog includes many well-known Western artists and offers exposure to some who are lesser known. Curator and coeditor Levin has gathered a mixture of important original and previously published essays by some of the most respected postmodern theorists in this collection, among them Jean Baudrillard, Gilles Deleuze, Michel Foucault, Victor Burgin, and Slavoj Zizek. The layout mirrors the sensibility of the exhibit but is distracting, with overlapping type that can actually make reading the book difficult. This mammoth catalog includes biographies of the artists and authors, 950 illustrations (350 in color), and an exhibition checklist.