Film critic and experimental filmmaker Jonas Mekas has been a central figure in the New York avant-garde almost since arriving there from Lithuania soon after the end of World War II. He documented and was associated with the Fluxus movement, Warhol’s Factory, and the Living Theater, and as the founder of the Filmmaker’s Co-Op and Anthology Film Archives he has been a tireless and essential advocate of avant-garde film and performance. During all this time he has never been without his Bolex camera, which he has used to write a long, intimate film from which the photograms in Just Like a Shadow were extracted. As Mekas himself sees it: “The cinema is nothing but a photogram, one single photogram!” And indeed the cinematic quality of this collection is unmistakable. Journeying through Mekas’ story, we encounter a great many of Mekas’ fascinating friends, such as Andy Warhol, Nam June Paik, Robert Frank, the Kennedy family, Salvador Dali, Yoko Ono and John Lennon, Nico, Gerard Malanga, Allen Ginsberg, Henri Langlois, Stan Brakhage, Jack Kerouac, Lou Reed, Miles Davis, and many others, witnessing all those moments, happy or not, which he captured with his camera and his irreverent eye.