AM-7710

Merz to Emigré and Beyond. Progressive Magazine Design of the Twentieth Century

Merz to Emigré and Beyond is a historical survey of avant-garde cultural and political magazines and newspapers from the early twentieth century to the present day. The book features a unique selection of international publications from Europe and the USA – including Merz (1920s), View (1940s), East Village Other (1960s), Punk (1970s), Raw (1980s) and Emigr+ (1990s). The design of these magazines, often raucous and undisciplined, was as ground-breaking as the ideas they disseminated. Many were linked with controversial art, literary and political movements such as Dada, Surrealism, Modernism, the New Left and Deconstruction. They contain the work of many leading experimental artists and designers of their time – from Kurt Schwitters and El Lissitzky in the 1920s and 30s, to Art Spiegelman and Rudy Vanderland in the 1980s and 90s.Steven Heller is a Senior Art Director at the New York Times and co-chair of the MFA/Design Program of the School of Visual Arts in New York.

Text: Heller Steven. cm 25×29; pp. 240; 250 COL; hardcover. Publisher: Phaidon Press, London, 2003.

ISBN: 9780714839271 | 0714839272

ID: AM-7710

Product Description

Merz to Emigré and Beyond is a historical survey of avant-garde cultural and political magazines and newspapers from the early twentieth century to the present day. The book features a unique selection of international publications from Europe and the USA – including Merz (1920s), View (1940s), East Village Other (1960s), Punk (1970s), Raw (1980s) and Emigr+ (1990s). The design of these magazines, often raucous and undisciplined, was as ground-breaking as the ideas they disseminated. Many were linked with controversial art, literary and political movements such as Dada, Surrealism, Modernism, the New Left and Deconstruction. They contain the work of many leading experimental artists and designers of their time – from Kurt Schwitters and El Lissitzky in the 1920s and 30s, to Art Spiegelman and Rudy Vanderland in the 1980s and 90s.Steven Heller is a Senior Art Director at the New York Times and co-chair of the MFA/Design Program of the School of Visual Arts in New York.