Photography After Conceptual Art

Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium†

  • Appeals to people interested in artist’s use of photography and in contemporary art††
  • Tracks the efflorescence of photography as one of the most important mediums for contemporary art†
  • Explores the relation between recent art, theory and aesthetics, for which photography serves as an important test case†
  • Includes a number of the essays with previously unpublished photographs
  • Artists discussed include Ed Ruscha, Bernd and Hilla Becher, Douglas Huebler, Mel Bochner, Sherrie Levine, Roni Horn, Thomas Demand, and Jeff Wall

Text: Costello Diarmuid, Iversen Margaret. pp. 208; paperback. Publisher: John Wiley & Son, New York, 2010.

ISBN: 9781444333602| 1444333607

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ID: 13742

Product Description

Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium†

  • Appeals to people interested in artist’s use of photography and in contemporary art††
  • Tracks the efflorescence of photography as one of the most important mediums for contemporary art†
  • Explores the relation between recent art, theory and aesthetics, for which photography serves as an important test case†
  • Includes a number of the essays with previously unpublished photographs
  • Artists discussed include Ed Ruscha, Bernd and Hilla Becher, Douglas Huebler, Mel Bochner, Sherrie Levine, Roni Horn, Thomas Demand, and Jeff Wall
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