What is the role of architecture if not to realize a shared vision of the “good life,” a vision that in the age of architectural modernism shaped—and was shaped by—a range of ideas about the home?

With The Good Life, Iñaki Ábalos serves as our guide for a tour of seven iconic twentieth-century homes that represent various concepts for living. Some of the homes were actually built, while others were merely planned, painted, or created as part of a film set. We see Mies van der Rohe’s House with Three Patios, Martin Heidegger’s cabin in the Black Forest, Picasso’s Villa La Californie in Cannes, and the New York loft that Andy Warhol called The Factory. From the ultramodern geometric houses and gardens in Jacques Tati’s Mon Oncle, we travel to the famed hobby-kit house in Buster Keaton’s One Week and on to the sunny swimming pool and home in David Hockney’s painting A Bigger Splash. Ábalos guides readers through the key philosophical precepts that likely guided the creation of these homes, making insightful points about the relationship between ideas about a particular modern way of living and approaches to architecture and design. What he concludes is that modernism marks less a coherent triumph of positivism, as is often assumed, than a loose celebration of the radical pluralism of the twentieth century.

A fascinating work by one of Spain’s most prominent architects, The Good Life presents a powerful picture of the concerns that guided the course of architectural modernism.
 

Architecture has always been a central subject matter for photographers. For most of the 20th century, however, the practice of architectural photography has been a professional endeavor; anonymous photographs taken for clients for specific, commercial reasons. This book concerns itself with another, rarer, topic: the photography of architecture as an art practice. It considers the work of seven contemporary photographers who use buildings in their work in a new way. In these photographs, they respond to the work of prominent architects by creating their own interpretations. Here are Andreas Gursky’s photos of the Stockhom Library by Gunnar Asplund, Tomas Ruff’s photos of several works by Herzog & de Meuron, Hiroshi Sugimoto’s photos of Le Corbusier’s Villa Savoye, as well as works by Candida Hofer, Jeff Wall, Gunther Forg, and Balthasar Burkhard. A beautiful and valuable book on one of the prominent movements in contemporary photography. Featuring: Andreas Gursky, Candida Hofer, Thomas Ruff, Jeff Wall, Gunther Forg, Hiroshi Sugimoto, Balthasar Burkhard Edited by Gloria Moure. Essays by Abalos & Enguita, Joerg Bader, Catherine Hurzeler, Hans Irrek, Gloria Moure, Barry Schwabsky, Jeff Wall and Martin Tschanz. Introduction by Terence Riley.