Contributions by Berenice Abbott, Leonor Antunes, Marcel Broodthaers, Roger Callois, Hanne Darboven and Lucy R. Lippard, Eric Duyckaerts, Max Frisch, Frederich Froebel, Joao Maria Gusmao and Pedro Paiva, Florian Hecker and Quintin Meillasoux, Alfred Jarry, On Kawara, John Latham, Sol LeWitt, F. T. Marinetti, Daria Martin, Mario Merz, Helen Mirra, Man Ray, Ben Rivers and Mark von Schlegell, Pamela Rosenkranz and Erik Wysocan, Robert Smithson, Paul Valéry, Iannis Xenakis In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought. Through the work of an intergenerational group of artists, the exhibition and book propose that art acts as an investigative and experimental form of inquiry, addressing or amending what is explained through traditional scientific or mathematical means: entropy, matter, time (cosmic, geological), energy, topology, mimicry, perception, consciousness, et cetera. Sometimes employing scientific methodologies or the epistemology of science, other times investigating phenomena not restricted to any scientific discipline, art can be seen as a form of inquiry into the physical and natural world. In this sense, both art and science share an interest in knowledge, realism, and observable phenomena, yet are subject to different logics, principles of reasoning, and conclusions. Works by Berenice Abbott, John Baldessari, Rosa Barba, Robert Barry, Uta Barth, Joseph Beuys, Alighiero Boetti, Carol Bove, Marcel Broodthaers, Matthew Buckingham, Hanne Darboven, Thea Djordjadze, Aurélien Froment, Terry Fox, Laurent Grasso, João Maria Gusmão and Pedro Paiva, Rashid Johnson, Kitty Kraus, Germaine Kruip, Daria Martin, John McCracken, Trevor Paglen, Man Ray, Ben Rivers, Pamela Rosenkranz, Robert Smithson, Hiroshi Sugimoto, Georges Vantongerloo, Lawrence Weiner

This handsome catalog documents an exhibit at Spain!s Museo Nacional Centro de Arte Reina Sofia devoted to photography and the phenomenon of modernity. As the introductory essay by exhibit curator Fernandez explains, from its invention photography has been a public medium, yet technological advances during the interwar years allowed large-scale reproduction and publication. Arranged alphabetically from Berenice Abbott to Piet Zwart, including Russian constructivists as well as photographers of the American WPA and FSA, each entry discusses the role of a specific photographer, designer, publication, or one of the many influential countries. With appropriately aesthetic graphic design, the volume includes beautifully reproduced color and black-and-white images of newspapers, magazines, books, posters, and other printed material.

The development of photomontage techniques during the early 1920s and 1930s in Germany, the Soviet Union, and the United States had a profound influence on contemporary art and mass media. Montage and Modern Life uncovers the roots of this complex relationship. Through unexpected juxtapositions and discontinuous images, and through some of the most sophisticated and least cultivated examples of the art form, it demonstrates how a common set of social and cultural themes was broadly articulated, culminating in a new way of seeing that is the hallmark of our time.Included are examples drawn from photographs, advertising, documentary films, journals, architectural and exhibition designs, posters, and rare archival materials. Among the artists whose work is featured are Alfred Stieglitz, Walker Evans, Hannah Hˆch, Berenice Abbott, Edward Steichen, Aleksandr Rodchenko, Imogen Cunningham, August Sander, Werner Graef, Charles Sheeler, John Heartfield, Marianne Brandt, El Lissitzky, and Kurt Schwitters.In the accompanying essays Maud Lavin explores the intersection of montage, modernity, and consumerism that created the image of the New Woman in Weimar Germany; Annette Michelson establishes a historical and critical context for the theory of montage in film; Sally Stein examines why photomontage was used only to a limited extent in the United States in the years prior to the outbreak of the Second World War; and Margarita Tupitsyn considers the role of montage in publicizing and celebrating the Five Year Plan and other Soviet economic policies. She also explores the ways in which montage was used to glorify women in the USSR during the 1920s. Copublished with The Institute of Contemporary Art, Boston.

The history of the photographic book goes back well more than a century; the medium of photography and the book format were understood very early on to relate to each other on both technical and aesthetic levels. The examples of truly great combinations of photographic image and text, great design and typography bound together as books are numerous, and make up an impressive artistic, social, and documentary statement of the 20th century. Writer and rare book expert Andrew Roth has selected for this volume a group of 101 of the best photography books ever published: books that bring all of the elements of great bookmaking together to create, ultimately, a thing of beauty, a work of art. Mostly made up of publications in which the photographs were meant to be seen in book form, as opposed to the book being merely a repository of images, this list includes many artists and titles that will be familiar to the collector, but also not a few surprises. Chronologically, the first book is Volume One of Edward Curtis’s seminal 1907 The North American Indian, the last is David LaChapelle’s LaChapelle Land from 1996, and in between are books by Walker Evans and Berenice Abbott, Atget and Brassai, Robert Frank and Garry Winogrand, and many other seminal photographers from all over the world. Each book in the catalogue receives a double page spread including publication information, several image spreads, and a short text about it. The Book of 101 Books, however, is far more than simply an annotated and illustrated catalogue. Six important new essays on a variety of related topics from respected scholars, critics, and artists are included as well: here you will find Richard Benson on the history of printing techniques, Shelley Rice on the societal significance of photography books, May Castleberry on reprints, exhibitions, and keeping books alive for the public; Daido Moriyama on his personal memories of making his classic Bye Bye Photography, Dear, Neville Wakefield on the particular attributes of one of the most recent books in this group: Richard Princeis 1995 Adult Comedy Action Drama, and Jeffrey Fraenkel on the myriad perils of publishing photography books. The catalogue entries themselves are written by the well known critics Vince Aletti and David Levi Strauss. Taken together, the depth and beauty of these essays and images makes The Book of 101 Books both an essential reference and an aesthetically compelling object. In order to insure safe delivery for this item we can only ship Federal Express 3rd Day. An additional charge of $25.00 will be added to your purchase.

The relationship between architecture and photography is the focus of this book that features the work of eighteen influential artists, from the 1930s to the present day. Architecture has long been a subject matter for photographers, who utilize the medium not just to document the built world, but also to reveal wider truths about society. This book features chapters devoted to various artists–among them, Berenice Abbott, Walker Evans, Ed Ruscha, Bernd and Hilla Becher, Andreas Gursky and Iwan Baan–and includes 220 color and duotone images. Each chapter opens with a text introducing the artists’ work, followed by reproductions of their photographs. Arranged chronologically, the book documents the birth of the skyscraper against the backdrop of the Great Depression; the rise of the modernist tradition in America, post-colonial Africa, and India; the effects of industry on 1960s Europe; the increasing suburbanization of America and Europe; and the consequences of today’s mass urbanization in Asia, the Middle East, and South America. Far-reaching and penetrating, this volume reflects on the ongoing dialogue between photography and architecture.

Shopping–the word nowadays signifies more than the mere purchasing of goods. From the Paris arcades to the suburban mall, buying has been an essential part of urban life throughout the 20th century. As a ritual, shopping has both created and transformed our identities. For artists, consumer meccas and all their forms of presentation have long been a source of inspiration and criticism. If Walter Benjamin’s description of the flaneur in turn-of-the-century Paris was the turning point in our understanding of the complex interchanges between consumer society and art, the cultural productions that followed his theorizing hardly proved him wrong. Consider only Pop Art, a mode of art making created by a generation of artists who themselves were designers of advertising materials, and who used those same products as source material for work that now hangs in museums. Shopping is the first publication to be extensively devoted to this topic. It documents and analyzes the fascination and influence of the fine arts, architecture, film, and music on the aesthetics, structure, and environment of consumer culture. Numerous illustrations reveal the crossover work of artists like Eug ne Atget, Berenice Abbott, Walker Evans, Claes Oldenburg, Andy Warhol, Roy Lichtenstein, Christo, Duane Hanson, Barbara Kruger, Jeff Koons, Andreas Gursky, and others, as well as pieces conceived by fine artists, architects, and film makers. Complete with contributions by internationally renowned authors, Shopping serves as a diversified basis for the discussion of a topic more dear to us than most of us would admit. You simply must buy this book.

Germaine Krull (1897-1985) led an extraordinary life that spanned ninedecades and four continents. She witnessed many of the high points ofmodernism and recorded some of the major upheavals of the twentiethcentury. Her photographs include avant-garde montages, ironic studiesof female nudes, press propaganda shots, as well as some of the mostsuccessful commercial and fashion images of her day. Her politicalcommitments led her from communist allegiance to incarceration inRussia as a counterrevolutionary to support of the Free French causeagainst Hitler to a reclusive existence among Tibetan monks inIndia. Kim Sichel’s study of this remarkable artist reveals a life ofdeep convictions, implausible transformations, complex emotionalrelationships, and inspired achievements. Krull refused to limit herself to one long-term relationship, onegeographical region, or one set of religious and moralbeliefs. Contemporary critics ranked her with Man Ray and AndréKertesz. Younger photographers such as Berenice Abbott looked up toher. Yet until recently the absence of an archive has made a properevaluation of Krull’s contribution to photography and to modernismdifficult if not impossible. In this book Sichel examines Krull’sautobiographical texts and photographic oeuvre to present and unravelthe rich mythology that Krull fabricated around her life and work. Thechapters follow the geographical and chronological sequence of Krull’slife, moving from Munich to Moscow to Berlin to Amsterdam to Paris toBrazil to Africa to Bangkok and other locations. This book, whichaccompanies the first major retrospective exhibition on Krull, shouldsecure Krull’s rightful place among the masters of twentieth-centuryphotography.

Artists: Berenice Abbott, Hajo Antpöhler, Fritz Brill, Pierre Boucher, Johannes Brus, Max Burchartz, Chargesheimer, Hermann Claasen, Harald Falkenhagen, Hans Finsler, Günther Förg, Verens von Gagern, Jochen Gerz, Konrad Giehr, Tim N. Gidal, Nan Goldin, Bettina Gruber, L. Fritz Gruber, Raoul Hausmann, Heinz Held, Edmund Kesting, Jürgen Klauke, Imi Knoebel, Dorothea Lange, El Lissistzky, John Mac Donald, Rene Magritte, Man Ray, Boris Nikhailov, Laszlo Moholy-Nagy, Oskar Nerlinger, Paul de Nooijer, Helmut Newton, Sigmar Polke, Friedrich Riehl, Alexander Rodtschenko, Franz Roh, Erich Salomon, August Sander, Jan Saudek, Christian Schad, Friedrich Seidenstücker, Anton Stankowski, Horst Tappe, Paul S. Taylor, Georges Thiry, UMBO, Andy Warhol, Rainer K. Wick, Wols

Fascination with the scientific advances that were rapidly changing the world motivated Berenice Abbott to use photography as “the friendly interpreter of science”. Documenting Science explores this work, beginning in 1939 with Abbott’s early experiments with scientific imagery, continuing with science-based commercial assignments, and culminating in 1958 with the Physical Science Study Project at MIT which illustrated a new series of physics textbooks. This spectacular body of work is arguably Abbott’s most innovative and creative. Both beautiful and instructive, these images often illustrate some basic scientific principle. They are a marriage of science and art, and have fundamentally changed the way thousands of students visualize complex principles of physics.

Band 1: malerei, plastik, performance.- Band 2: fotografie film video.- Band 3: handzeichnungen, utopisches design, bücher.- Artsts: Berenice Abbott, Hermann Albert, Carl Andre, Ben d’Armagnac, Christian Ludwig Attersee, Vito Acconci, Pierre Alechinsky, Theo Angelopoulos, Arman (Armand Fernandez), Bernhard Aubertin, Valerio Adami, Gerhard Altenbourg, Ottomar Anschütz, Fernando Arrabal, Joannis Avramidis, Robert Adamson, Robert Altman, Horst Antes, Eduardo Arroyo, Alice Aycock, Peter Ackermann, Anatol, Ant Farm, Art & Language, Billy Adler, Gisela Andersch, Shusaku Arakawa, David Askevold, Chantal Akerman, Laurie Anderson, Diane Arbus, Eugène Atget, Francis Bacon, Monika Baumgartl, Joseph Beuys, Fernando Botero, Kevin Brownlow & Andrew Mollo, Michael Badura, Hippolyte Bayard, Michael von Biel, Margaret Bourke-White, Günter Brus, Eduard Denis Baldús, Thomas Bayrle, Werner Bischof, Mathew B. Brady, Anatol Brosilowsky, Balthus, Cecil Beaton, Louis-Auguste Bisson & Auguste-Rosalie Bisson, Brassaï (Gyula Halász), Wojciech Bruszewski, Joachim Bandau, Bernd e Hilla Becher, Irma Blanck, George Brecht, Luis Buñuel, Jared Bark, Stephan Beck, Karl Blossfeldt, KP Brehmer, Chris Burden, Robert Barry, Bill Beckley, Bernhard Blume, George Hendrik Breitner, Daniel Buren, Jennifer Bartlett, John Ernest Joseph Bellocq, Mel Bochner, Heinz Breloh, Scott Burton, Gianfranco Baruchello, Carmelo Bene, Peter Bogdanovich, Robert Bresson, Michael Buthe, Giorgio Batistella, Franz Bernhard, Claus Böhmler, Stuart Brisley, James Lee Byars, Gerd Baukhage, Jean-Marie Bertholin, Blythe Bohnen, Jürgen Brodwolf, Horst H. Baumann, Nuccio Bertone, Karl Bohrmann, Marcel Broodthaers, Bodo Baumgarten, Jean-Louis Bertucelli, Christian Boltanski, Stanley Brouwn, Enzo Cacciola, Robert Capa, Barbara Chase-Riboud, Pinchas Cohen-Gan, Michael Craig-Martin, Julia Margaret Cameron, Henri Cartier-Bresson, Eduardo Chillida, James Collins, Fritz Cremer, Colin Campell, Étienne Carjat, Christo, Miguel Condé, José Luis Cuevas, Peter Campus, Ugo Carrega, Chryssa, Tony Conrad, Edward Curtis, Louis Cane, Lewis Carroll, Chuck Close, Steven Cortright, Veassis Caniaris, Claude Chabrol, Harold Cohen, Claudio Costa, Miodrag Djuric (Dado), Douglas Davis, Walter De Maria, Jim Dine, Juan Downey, Louis Daguerre, Ger Dekkers, Agnes Denes, Henry + Bool Alfred + John Dixon, Peter Downsborough, Hanne Darboven, Willem de Kooning, Fred Deux, Dore O., Michael Druks, Alan Davie, Philip Henry Delamotte, Jan Dibbets, Ugo Dossi, Marcel Duchamp, John Davies, Jack Delano, Braco Dimitrijevic, Christian Dotremont, David Douglas Duncan, Don Eddy, Paul Eliasberg, Heinz Emigholz, Ulrich Erben, Walker Evans, Benni Efrat, Ger van Elk, Ed Emshwiller, Hugo Erfurth, Valie Export, Sergej Eisenstein, Peter Henry Emerson, Leo Erb, Garth Evans, Öyvind Fahlström, Federico Fellini, Dan Flavin, Charles Frazier, Lee Friedlander, Herbert Falken, Roger Fenton, Richard Fleischer, Hermine Freed, Hamish Fulton, Ralston Farina, Armand Fernandez, Lucio Fontana, Will Frenken, Heidi Fasnacht, Vincenzo Ferrari, Fred Forest, Achim Freyer, Rainer Werner Fassbinder, Robert Filliou, Terry Fox, Gisèle Freund, Hans-Peter Feldmann, Wolfgang Gäfgen, Jochen Gerz, Tina Girouard, Dan Graham, Nancy Graves, Abel Gance, Paul-Armand Gette, Michael Gitlin, Eve Gramatzki, Alan Green, Alexander Gardner, Peter Gidal, Wilhelm von Gloeden, Tom J. Gramse, Marty Greenbaum, Winfred Gaul, Wolfram Giersbach, Jean-Luc Godard, Gotthard Graubner, Alberto Grifi, Rupprecht Geiger, Gilbert & George, Hubertus Gojowczyk, Nancy Graves, Robert Grosvenor, Michael Geissler, Frank Gilette, Kuno Gonschior, Walter Grasskamp, Hetum Gruber, Arnold Genthe, Raimund Girke, Camille Graeser, Gotthard Graubner, Renato Guttuso, Roel D’Haese, Haus-Rucker-Co, Wilhelm Hein, Lewis Hine, Nan Hoover, Helfried Hagenberg, Erich Hauser, Bernhard Heisig, Leon Hirszman, Rebecca Horn, David Hall, Lady Hawarden, Michael Heizer, Antonius Höckelmann, Horst P. Horst, Nigel Hall, Ron Hays, Al Held, David Hockney, George Hoyningen-Huene, Phillipe Halsman, Tim Head, Werner Herzog, Anatol Herzfeld, Alfred Hofkunst, Richard Hamilton, Erwin Heerich, Eva Hesse, Rudolf Hoflehner, Douglas Huebler, Heijo Hangen, Axel Heibel, David Octavius Hill, Edgar Hofschen, Danièle Huillet, Noriyuki Haraguchi, Birgit Hein, John Hilliard, Hans Hollein, Alfonso Hüppi, Karl Horst Hödicke, Shohei Imamura, Will Insley, Jean Ipoustéguy, Patrick Ireland, Hans Paul Isenrath, Ken Jacobs, Paul Jaray, Jasper Johns, Francis Benjamin Johnston, Miklós Jancsó, Jo Jastram, J. Douglas Johnson, Donald Judd, Horst Janssen, Alejandro Jodorowsky, Joan Jonas, Martha Jungwirth, Wolf Kahlen, Buster Keaton, Jürgen Klauke, Beril Korot, Ferdinand Kriwet, Max Kaminski, Ellsworth Kelly, Alexander Kluge, Joseph Kosuth, Germaine Krull, Howard Kanovitz, Michael Kenny, Werner Knaupp, Jannis Kounellis, Shigeko Kubota, Tadeusz Kantor, André Kertész, Günther Knipp, Andras Kovács, Stanley Kubrick, Allan Kaprow, Anselm Kiefer, Milan Knížák, Attila Kovács, Gary Kuehn, Dani Karavan, Harry Kipper, Imi Knoebel, Kurt Kren, Marin Karmitz, Alain Kirili, Alice Kochs, Dieter Krieg, Gertrude Kasebier, Ronald B. Kitaj, Christof Kohlhöfer, Richard Kriesche, On Kawara, Konrad Klapheck, Jiří Kolář, Les Krims, Willem de Kooning, László Lakner, Barry Le Va, Michael Leisgen, Lawrence Lobe, Urs Lüthi, Arthur Lamothe, Russell Lee, Les Levine, Francisco Lopez, Georg Platt Lynes, Richard Landry, Jean Le Gac, Sol LeWitt, Antonio Lopez-Garcia, Nikolaus Lang, Gustave Le Gray, Roy Lichtenstein, Joseph Losey, Dorothea Lange, Malcolm Le Grice, Richard Lindner, Bernhard Luginbühl, John Latham, Barbara Leisgen, Michael Lingner, Bernhard Lüthi, Heinz Mack, Kenneth Martin, Gerhard Merz, Alexander Mitta, Robert Morris, Nino Malfatti, Charles Marville, Mario Merz, Milan Mölzer, Alfons Maria Mucha, Felix H. Man (Hans Baumann), Roberto Matta, Borg Mesch, Bernard Moninot, Ugo Mulas, Robert Mangold, Gordon Matta-Clark, Anette Messager, Henry Moore, Antoni Muntadas, Andy Mann, Wolfgang Mattheuer, Adolphe de Meyer, Stefan Moore, Walter Murch, Werner Mantz, Cynthia Lee Maughan, Duane Michals, Carmengloria Morales, J.-J. Murphy, Piero Manzoni, Antony McCall, Henri Michaux, Marcello Morandini, Zoran Mušič, Giacomo Manzù, Barry McCallion, Rune Mields, Pit Morell, Eadweard Muybridge, Robert Mapplethorpe, Bruce McLean, Antoni Miralda, François Morellet, Brice Marden, Syd Mead, Josef Mikl, Maria Moreno, Agnes Martin, Dariush Mehrjui, Joan Miró, Malcolm Morley, Tomitaro Nachi, Bruce Nauman, Wolfgang Nestler, Joseph Nicéphore Niépce, Maria Nordman, Félix Nadar, Charles Nègre, Richard Newton, Ansgar Nierhoff, Gabriele & Helmut Nothhelfer, Maurizio Nannucci, Werner Nekes, Max Neuhaus, Richard Nonas, Lev V. Nussberg, Dore O., Timothy O’Sullivan, Roman Opalka, Nagisa Oshima, Oswald Oberhuber, Claes Oldenburg, Dennis Oppenheim, Jean Otth, Brian O’Doherty, Claudio Olivieri, Anna Oppermann, Hilmar Pabel, Giulio Paolini, A. R. Penck, Pablo Picasso, Lucio Pozzi, Nam June Paik, Eduardo Paolozzi, Peng-Wan-Ts, Otto Piene, Heinz-Günter Prager, Blinky Palermo, Gordon Parks, Beverly Pepper, Walter Pichler, Mario Prassinos, Magnus Palsson, Sergei Paradschanow, Elio Petri, Anne & Patrick Poirier, Panamarenko, Pier Paolo Pasolini, Wolfgang Petrick, Sigmar Polke, Gina Pane, Max Peintner, Friederike Pezold, Don Potts, Isabel Quintanilla, Daniel Quintero, William Raban, John Reilly, Jacob August Riis, Peter Roehr, Ed Ruscha, David Rabinowitch, James Reineking, Bridget Riley, Ulrike Rosenbach, Ken Russell, Arnulf Rainer, Albert Renger-Patzsch, Klaus Rinke, James Rosenquist, Claude Rutault, Yvonne Rainer, Jean Renoir, Larry Rivers, Francesco Rosi, Reiner Ruthenbeck, Robert Rauschenberg, Alain Resnais, Jacques Rivette, Roberto Rossellini, Robert Ryman, Man Ray, Erich Reusch, Józef Robakowski, Dieter Roth, Éric Rohmer, Tony Ray-Jones, Hans Peter Reuter, Dorothea Rockburne, Arthur Rothstein, Martial Raysse, George Warren Rickey, Alexander Rodtschenko, Gerhard Rühm, Reindeer Werk, Hans Salentin, Tomas Schmit, Eugen Schönebeck, Michael Singer, Edward Steichen, Sohrab Shadid Saless, Wolfgang Schmitz, Martin Schwarz (Künstler), Willi Sitte, Saul Steinberg, Erich Salomon, Helmut Schober, Martin Scorsese, Neal Slavin, Frank Stella, Lucas Samaras, Eugen Schönebeck, George Segal, David Smith, Alfred Stieglitz, Fred Sandback, Ben Schonzeit, Antonio Seguí, Robert Smithson, Sir Benjamin Stone, August Sander, Rudolf Schoofs, Friedrich Seidenstücker, Fernando Ezequiel Solanas, Paul Strand, Sarkis Zabunyan, Jan Schoonhoven, Richard Serra, Michael Snow, Jean-Marie Straub, Antonio Saura, Werner Schroeter, Ben Shahn, Alan Sonfist, Liselotte Strelow, Konrad Balder Schäuffelen, Heinz Schubert, Joel Shapiro, Eve Sonneman, Michell Stuart, Georgij Schengalaja, Alf Schuler, Charles Sheeler, Keith Sonnier, Josef Sudek, Alexander Schleber, HA Schult, Stephen Shore, Daniel Spoerri, István Szábo, Barbara Schmidt-Heins, Bernard Schultze, Katharina Sieverding, Klaus Staeck, Gabriele Schmidt-Heins, Emil Schumacher, Charles Simonds, Ted Stamm, Jiro Takamatsu, Andrej Tarkowskij, George Trakas, Peter Tuma, Vassilakis Takis, André Thomkins, François Truffaut, Deborah Turbeville, William Henry Fox Talbot, Jean Tinguely, Costas Tsoclis, Richard Tuttle, Antoni Tàpies, Gérard Titus-Carmel, Werner Tübke, Cy Twombly,Günther Uecker, Lee U Fan, Timm Ulrichs, Ursula Schultze-Bluhm, Giuliano Vangi, Wladimir Veličkovič, Bill Viola, Klaus Vogelsang, Hannsjörg Voth, Agnès Varda, Bernard Venet, Luchino Visconti, Wolf Vostell, Andrzej Wajda, Weegee, Orson Welles, Gottfried Wiegand, Claus Peter Wittig, Willie Walker, William Wegman, Wim Wenders, Klaus Wildenhahn, Krzysztof Wodiczko, Franz Erhard Walther, Peter Weibel, Lina Wertmüller, Dorothee von Windheim, Erwin Wortelkamp, Andy Warhol, Lawrence Weiner, Dsiga Wertow, Gerd Winner, Fritz Wotruba, Ryszard Wasko, Roger Welch, Marthe Wéry, Reindert Wepko van de Wint, Klaus Wyborny, Wolfgang Weber, Peter Weller, Tom Wesselmann, Rainer Wittenborn, Keigo Yamamoto, Yves Yerson, Yoshio Yoshida, Frank Young, Herbert Zangs, Gianfranco Zappettini, Jerry Zeniuk, Heinrich Zille, Krzysztof Zanussi, Michele Zaza, Christian Ziewer, Zush