Mostra a cura di Rosanna Barbiellini Amidei e Pier Luigi Tazzi, Marciana, Isola d’Elba, agosto – settembre 1983. Illustrazioni a colori delle opere di Alighiero Boetti, Markus Raetz, Maurizio Nannucci, James Lee Byars, Edward Ruscha, Maurizio Mochetti, Massimo Nannucci, Renato Maestri, Siah Armajani, Remo Salvadori, Ettore Spalletti, Antonio Violetta, Bill Woodrow, Matt Mullican. Frasi degli artisti e citazioni di autori vari.
Exhibition catalogue published in conjunction with show held at the Allen Art Museum, Oberlin College, Ohio, April 17 – May 12, 1970. Introduction by Athena T. Spear. Artists include Vito Acconci, Siah Armajani, Michael Asher, John Baldessari, Robert Barry, Frederick Barthelme, Bill Beckley, Mel Bochner, Jonathan Borofsky, George Brecht, Victor Burgin, Donald Burgy, Ian Burn, Scott Burton, James Lee Byars, Luis Camnitzer, Rosemarie Castoro, Don Celender, Fred Cornell Cone, Christpher Cook, Eduardo Costa, Robert Cumming, Roger Cutforth, Royce Dendler, David Dunlap, David Eisler, Robert Feke, Rafael Ferrer, George Gladstone, Dan Graham, Ira Joel Haber, Richards Jarden, On Kawara, Michael Kirby, Paul Kos, Joseph Kosuth, R. Rexinger Lau, Barry Le Va, Les Levine, Gleen Lewis, Sol LeWitt, Martin Maloney, Bruce McLean, Bruce Nauman, N.E. Thing Co., Ltd., Claes Oldenburg, Saul Ostrow, Paul Pechter, John Perreault, Adrian Piper, Mel Ramsden, Glen Rea, Allen Ruppersberg, Thomas Duncan Shannon, Society for Theoretical Art and Analyses, Marjorie Strider, John Van Saun, Bernar Venet, Jeffrey Wall, William Wegman, Hannah Weiner, Lawrence Weiner, and David Nelson. Includes a range of documents, from drawings and sketches to writing and project proposals and outlines. In black-and-white.
Between 1969 and 1974, the influential curator Lucy Lippard (born 1937) curated four decisive Conceptual art exhibitions, and in doing so reinvented the exhibition catalogue. 4,492,040 is a facsimile reprint of the extremely scarce and hugely important catalogues produced for those exhibitions: 557,087 (the Seattle Art Museum), 955,000 (the Vancouver Art Gallery), 7,500 (the California Institute of Art) and 2,972,453 (the Centro de Arte y Comunicación). Titled after the populations of the cities in which the shows were held, each catalogue was an envelope of loose note cards containing statements, documentation and conceptual works by each artist, to be rearranged, filed or discarded at will. If Lippard described Conceptual art as the dematerialization of the art object, these catalogues effectively announced the dematerialization of the art exhibition. (One reviewer claimed Lippard had been the artist, and that her medium had been other artists.) 4,492,040 includes such iconic figures as Vito Acconci, Carl Andre, Siah Armajani, Terry Atkinson, John Baldessari, Michael Baldwin, Robert Barry, Rick Barthelme, Daniel Buren, Rosemarie Castoro, Hanne Darboven, Walter de Maria, Jan Dibbets, Christos Dikeakos, Eleanor Antin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, On Kawara, Edward Kienholz Sol LeWitt, Roelof Louw, Duane Lundon, Bruce McLean, Robert Morris, N.E. Thing Co., Bruce Nauman, Adrian Piper, Allen Ruppersberg, Ed Ruscha, Richard Serra, Robert Smithson, Jeff Wall and Lawrence Weiner.
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