Warhol, the self-promoting “king of Pop” who pictorially chronicled American society–its faces, products, and events–may be one of this century’s least understood artists. Given the recent spate of Warhol reminiscences, this biography is a good value: Words and pictures clarify his life and career, and the coffee-table format, offering over 300 reproductions that include personal photos and art–is visually satisfying. The author is an art critic who was also a colleague and long-time Warhol chum. His perspective is comprehensive, informed, and blunt without being too gossipy or sensational. The text, based on first-hand knowledge of Warhol as well as extensive interviews with his family and friends, conveys Warhol’s struggle to find his own niche in the art world, his attempts to discover new forms, his role as a cult figure and mentor, and his personal idiosyncrasies.

Her increasing recognition since then culminated with the selection of her work to represent the United States at the 1993 Venice Biennale.

The contents include photocopied documentation of press releases, articles, and other documentation, including from the 1970 exhibition which this was published in conjunction with. It includes an article entitled “Conceptual and Decorative Elements in the Graphic Work of Les Levine” by David Bourdon, a checklist of works in the show, a bibliography and biography, reproductions of works, etc.

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