CONTENTS OF THE BOOK ANTHOLOGY OF AFRICAN PHOTOGRAPHY : APPROCHES (by Jean Loup Pivin) Shifting Africa (by Elikia M’Bokolo) Africa of gods, Africa of people (by Agnès de Gouvion Saint-Cyr): Zaccharia Kaba, (Guinea), Antoine Freitas (RDCongo) The writer, the griot and the photographer (by Simon Njami) : José Ondoa (Cameroon) TThe icon and the totem (by Jean Loup Pivin) : A family album (RDCongo) BEGINNINGS Studio photography in Freetown (by Vera Viditz-Ward) : Dionysius Leomy, J.P. Decker, Alphonso Lisk-Carew, Freetown Sierra Leone Photographer-publishers in Togo (by Philippe David) : Alex A. Acolatse, Olympio,les frères Aguiar, John Badohu, Lomé Togo The pioneers of St Louis (by Frédérique Chapuis) : Meïssa Gaye, St-Louis du Senegal Memory of a stolen photograph (by Aminata Sow Fall) The Black Album, South Africa (by Santu Mofokeng) PORTRAIT PHOTOGRAPHERS The art of the portrait, 4 portfolios (by Pascal Martin St Leon & Jean Loup Pivin) : Mama Casset, Senegal, Joseph Moïse Agbodjelou, Benin, Daniel Attoumo Amichia, Ivory Coast Twilight of the studios in Ivory Coast (by Jean-François Werner) : Cornélius Yao Augustt Azaglo, Ivory Coast, Studio 3Z, RD Congo Portraits and scenery in Ghana (by Tobias Wendl) : James K. Bruce Vanderpuye, Philip Kwame Apagya, Nelson Ankruma Event, Ghana The golden age of black-and-white in Mali (extract from Éricka Nimis) : Mountaga Dembélé, Félix Diallo, Seydou Keita, Abderramane Sakaly, Mali Court photographers in Ethiopia (by Richard Pankhurst & Denis Gérard) : Famille Boyadjian, Ethiopia Tinted portrait photography in Addis Ababa (by Guy Hersant) : Emanuel Negash Wolde, Photo Jiro, Photo Addis Zemen, Ethiopia A short history of photography in Kenya (by Heike Behrend) : Kenneth Kamau, Omar Said Bakor, Nairobi Kenya Studios in the Congo (par Sophie Erlich Mapaka) : John Kiyaya, Tanzanie ; Franck Bitemo, Congo Brazza Portfolios : Samuel Fosso, Central Africa So long forgotten…(by Gaston-Paul Effa) THE AWAKENING OF A VISION Portfolios of Philippe Koudjina, Niger ; Jean Depara, R.D. du Congo ; Malick Sidibé, Mali ; Ricardo Rangel, Mozambica ; Billy Monk, South Africa; Mohamed Abdallah Kayari, Djibouti ThHE OFFICIAL AGENCIES In the time of Sékou Touré, Guinée (by Guy Hersant) : Anim – Amap, Mali ; Sily Photo, Guinea ; Congo Press, R.D. du Congo ; A FOTO, Angola ; ANTA FTM, Madagascar Portrait of my grandfather, Guinea (par Tierno Monenembo) My uncle, my memory (by Michèle Rakotoson) IMAGES OF REALITY The press in Kenya (by Sébastien Porte) : John Mauluka, Harrare Zimbabwe; Khamis Ramadan, Nairobi Kenya ; Alexander Joe, Zimbabwe Camerapix (by Roger Barnard) : Mohamed Amin, Tanzania Portfolio : John Liebenberg, Namibia South Africa Chronicles of war (by Simon Njami) : Rui Assubuji, Maputo Mozambica The development of photography in South Africa (by Kathleen Grundlingh) : Bob Gosani / Drum, South Africa Comrades and Cameras (by Pierre-Laurent Sanner) :Peter Magubane, Alfred Kumalo, David Goldblatt, Omar Badsha, Guy Tillim, South Africa Trajectory of a street-photographer (by Santu Mofokeng) : Akinbodé Akinbiyi, Nigeria ; Houssein Assamo, Abdourahman Issa, Amin Mahamoud Ahmed, Ramadan Ali Ahmed, Djibouti; Dorris Haron Kasco, Ivory Coast ; Alioune Bâ, Mali. In SEARCH OF AN AESTHETIC Portfolios : Rotimi Fani-Kayodé, Nigeria/UK ; Julia Tiffin, South Africa ; Penny Siopis, South Africa; Cathy Pinnock, South Africa; Obie Oberholzer, South Africa; Chris Ledechowski, South Africa ; Zwelethu Mthwetwa, South Africa ; Rui Tavares, Angola ; Bouna Medoune Seye, Senegal ; Antonio Olé, Angola ; Sergio Afonso, Angola. INDIAN OCEAN En route to India, Mauritius (by Tristan Bréville) : Tristan Bréville, Yves Pitchen, Mauritius The great island, Madagascar (by Frédéric Izydorczyk) : Rasolonjatavo, Razaka, Razafitrimo, Randria, Maurille Andrianarivelo, Ramilijoana, Dany Be, Daddy, Pierrot Men, Madagascar Anthropometry of memory, The Reunion Island (by William Zitte) : Mne Grandmaison, J. Eyckermans, Désiré Charney, Henri Mathieu, François Cudenet, Eugène Bidache, Richeville Lauratet, Charles Saunier, René-Paul Savignan, Philippe Gaubert, Raymond Barthes, The Reunion Island DIASPORA Shreds of identity in Europe (by Simon Njami) : Patrice Félix-Tchicaya, Congo/France ; David Damoison, Martinique/France ; René Peña Gonzales, Cuba ; Ajamu, Jamaica/UK ; Rose-Ann Marie Bailey, Serge Emmanuel Jongué, David Zapparoli, Stella Fakieyesi, Canada Framing black photography in America (by Deborah Willis) : Foster Studio, Gordon Parks, Robert Mc.Neill, Carla Williams, Usa The image and religious syncretism in Brazil (by Maria Lucia Montes) : Anisio C.De Carvalho, Bauer Sa, Eustáquio Neves, Vantoen Pereira Jr., Walter Firmo, Carla Osório, Januário Garcia, Charles Silva Duarte, Denise Camargo, Lita Cerqueira ; Brazil BIOGRAPHIES of the photographers BIBLIOGRAPHY

The Walther Collection is a private international art collection dedicated to collecting and exhibiting contemporary photography with special emphasis on the works of African and Asian artists. The inaugural exhibition of the collection will open to the public in June 2010 in the village of Burlafingen near Ulm, Germany. It is a dynamic collection, constantly growing and driven by four core activities: collecting, curating, exhibiting and publishing. Each activity is designed to present the works of the artists and to engage them in dialogue with the general public and the specialized field of contemporary art. The Walther Collection encompasses more than 700 works of widely noted as well as exciting new African and Asian artists, which makes it one of the most comprehensive collections of African photography worldwide. These extensive holdings are contextualized and complemented by historically significant contributions to the art of photography mainly from Germany and the United States, which expand the understanding, conception and history of the medium. The exhibitions and their curators at The Walther Collection will change once a year. Each year, based on a different curatorial emphasis, the collection will be examined and new constellations of the holdings and the new acquisitions will be presented. The Walther Collection will present in the inaugural exhibition a series of four projects in the nine galleries of its three buildings under the curatorial direction of Okwui Enwezor. It will integrate the work of three generations of African artists and photographers and a selection of the work of classical German photographers: Seydou Ke ta (Mali), Malick Sidib (Mali), J.D. ‘Okhai Ojeikere (Nigeria), Rotimi Fani-Kayode (Nigeria), Santu Mofokeng (South Africa), as well as August Sander and Bernd and Hilla Becher (Germany). The exhibition series will centre on the issues of portraiture, identity, body, sexuality and performance. In total 230 works of 31 artists from 13 nations, among them South Africa, Nigeria, Kenya, Ethiopia, Mali, Benin, Cameroon and Senegal, are presented. This comprehensive exhibition book contains the full page reproductions of all works on display. It will include contributions by Okwui Enwezor, Virginia Heckert, Kobena Mercer, Chika Okeke-Agulu, Gabriele Conrath-Scholl and Deborah Willis as well as a conversation between William Hartshorn and Artur Walther.

With contributions by Agency, Irene Albers, Oksana Bulgakowa, Edwin Carels, Bart De Baere, Didier Demorcy, Brigid Doherty, Sergei Eisenstein, Anselm Franke, Masato Fukushima, Avery F. Gordon, Richard William Hill, Darius James, Gertrud Koch, Joachim Koester, Bruno Latour, Maurizio Lazzarato and Angela Melitopoulos, Vivian Liska, Henri Michaux, Santu Mofokeng, Philippe Pirotte, Florian Schneider, Erhard Schüttpelz, Michael Taussig, Eduardo Viveiros de Castro, Martin Zillinger What is the role of aesthetic processes in the drawing of the boundaries between nature and culture, humans and things, the animate and inanimate? Structured around the aesthetic processes and effects of animation and mummification, Animism—a companion publication to the long-term exhibition of the same title, which premiered at Extra City Kunsthal Antwerpen in January 2010—brings together artistic and theoretical perspectives that reflect on the boundary between subjects and objects, and the modern anxiety that accompanies the relation between “persons” and “things.” With works by Agency, Art & Language, Christian W. Braune & Otto Fischer, Marcel Broodthaers, Paul Chan, Tony Conrad, Didier Demorcy, Walt Disney, Lili Dujourie, Jimmie Durham, Eric Duvivier, Harun Farocki, León Ferrari, Christopher Glembotzky, Victor Grippo, Brion Gysin, Luis Jacob, Ken Jacobs, Darius James, Joachim Koester, Zacharias Kunuk, Louise Lawler, Len Lye, Étienne-Jules Marey, Daria Martin, Angela Melitopoulos & Maurizio Lazzarato, Wesley Meuris, Henri Michaux, Santu Mofokeng, Vincent Monnikendam, Tom Nicholson, Otobong Nkanga, Reto Pulfer, Félix-Louis Regnault, Józef Robakowski, Natascha Sadr Haghighian, Paul Sharits, Yutaka Sone, Jan Švankmajer, David G. Tretiakoff, Rosemarie Trockel, Anne-Mie Van Kerckhoven, Dziga Vertov, Klaus Weber, Apichatpong Weerasethakul

Appropriated Landscapes explores the landscapes of Southern Africa, through photography and video from artists including David Goldblatt, Santu Mofokeng, Jo Ractliffe, Penny Siopis and Guy Tillim. By examining the effects of war, migration, colonisation, industrialisation and ideology on South Africa, Namibia, Angola and Mozambique, this book reveals the varied histories of these regions and their peoples. Landscape – both in Southern Africa and beyond – shows itself as ultimately a construct of the mind, composed as much from strata of memory as from layers of rock.