This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. In each of these works the original film has been manipulatedóslowed down, mirrored by the use of split screen or dual projection, or had its soundtrack alteredóto emphasize the artist’s own signature themes, which include trust, guilt, madness, confession, deception, and doubling.

Produced in conjunction with a survey of Gordon’s work at the Museum of Contemporary Art in Los Angeles, the book features essays by MOCA assistant curator Michael Darling, exhibition curator Russell Ferguson, Scottish novelist Francis McKee, and Guggenheim Museum curator Nancy Spector. Darlingís essay places Gordon’s work in the context of the Romantic tradition. Ferguson’s essay looks at Gordon’s work to date. It focuses on the issue of trust as it weaves its way from early works such as the performance/installation Trust Me, through his tattoo and instruction works, to more recent works such as Feature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordonís literary sources into a kind of hybridized text. Spector’s essay focuses on the autobiographical nature of Gordon’s oeuvre, showing how he shifts between revealing details of his personal lifeófor example, the ongoing List of Names lists all the people he has met in a given period of timeó-and obscuring other aspects of his identity. Designed by the studio of Bruce Mau in close collaboration with Gordon himself, this book promises to be the definitive reference on one of today’s most exciting young artists.

Famed for his 24-Hour Psycho, Scottish-born, New York-based artist Douglas Gordon (born 1966) is one of the most influential video and film artists of his generation. Produced in close collaboration with the artist, this catalogue looks at his latest works in the context of his earlier oeuvre.

Douglas Gordon has proven himself a master of adaptation, bending the works of other artists through his own refractive lens. One of the most decorated artists of his time, he has stretched Hitchcock’s Psycho from two hours to twenty-four, he has set Taxi Driver‘s unsettling “You talking to me?” scene into a two-screen projection, and now, he’s taken his obsession with a novel by Scottish writer James Hogg (1770-1835) to new lengths. Gordon’s Confessions is an immersive environment based on The Memoirs and Private Confessions of a Justified Sinner, a narrative of shifting perspectives that traces a strict Calvinist young man’s descent into a series of murders. Gordon’s ingenious and disturbing work used the three levels of the Kunsthaus Bregenz, where it first appeared, to explore different sensory experiences of the story, from a printing room that produces the story’s pages on an industrial-age offset press to a black-light-shrouded space where the viewer only hears the story to an installation of large-format and silent film projections on the front and back of a diaphanous screen.

This catalogue, designed by Bruce Mau, echoes the format of the exhibition with three slipcased volumes that give the reader an experience comparable to that of the show.

Double Vision presents two of the most talked about video artists on the contemporary scene: Stan Douglas and Douglas Gordon. Canadian artist Stan Douglas’s new double-screen video work, Win, Place, or Show, takes as its point of departure the fundamental transformation of civic space in North America during the postwar era of “urban renewal.” Douglas’ inquiry intersects with Scottish artist Douglas Gordon’s double-screen video installation left is right and right is wrong and left is wrong and right is right, inspired by Whirlpool, a little-known 1949 film by Otto Preminger. Psychic disorder is a subject of central importance in Gordon’s art. This book explores the tangential points of interest within these two installation projects, shown together in the exhibition “Double Vision” at Dia Center for the Arts.

A companion guide to the retrospective now on view at Los Angeles’s Museum of Contemporary Art (MOCA), this catalog is intended as the first comprehensive monograph on Gordon. Exhibition curator Ferguson (In Memory of My Feelings) opens with an essay that requires some prior knowledge of Gordon’s themes. His interpretive journey can be dizzying and labyrinthine and often leads to lengthy, initially inexplicable sojourns into literary analysis. Essays by MOCA assistant curator Michael Darling and Guggenheim curator Nancy Spector provide a more solid rationale for their interpretations, while Scottish writer Francis McKee (Luminous) stitches together a Frankenstein-like fabric of textual snippets by other writers that tell the tale of a good man who struggles against his inherently evil side and loses. The late critic David Sylvester closes with an interview of Gordon that reveals the motives behind his use of the film medium. The catalog’s graphics, which include white text that seemingly hovers over dark-toned film stills, is a visual manifestation of Gordon’s conceptual preoccupation: dualism and battling opposites. A valuable, comprehensive bibliography follows the essays.

This publication is the first to present a major survey of the works and ideas of Scottish artist Douglas Gordon (1966). Since 1990 Gordon has made incisive and compelling works on the subjects of memory, perception and interpretation. Using film, video, sound and the written word, his work have been presented in galleries and museums collections worldwide. In 1996 Gordon was awarded the prestigious Turner Prize in London, in 1997 the Premio 2000 at the Venice Biennale and in 1998 the Hugo Boss Prize in New York. The main text in a conversation between the artist and Jan Debbaut, director of Eindhoven’s Stedelijk Van Abbemuseum. The conversation covers a two-year period during which they discuss aspects of Gordon’s work, his background, training, attitudes to art and artists, his references and preoccupations. The conservations are annotations by Francis McKee, cultural historian and Director of Programme, Centre for Contemporary Arts, Glascow.

From his early brief dramas for television depicting uncanny David Lynch-like encounters, to his spectacular split-screen film installation Der Sandmann, Stan Douglas’ (b.1960) work is layered with the artist’s observations on social and racial alienation and psychological states. The artist is a master at selecting images that evoke entire social and political moments. Examples include a reconstructed 1960s Paris TV broadcast of free-jazz that suggests the May 1968 generation and its connections with African-American musical freedom; and landscape studies of Nootka Sound in Canada that stir memories of the European conquests of Native Americans. Featured in such major exhibitions as Documenta and the Venice Biennale and nominated for the Hugo Boss/Guggenheim prize in 1997, Douglas has emerged as an international figure. This is the first major publication on his work. Canadian curator and writer Scott Watson surveys the artist’s work in relation to late twentieth-century aesthetics, politics and psychoanalysis, while American artist Diana Thater conducts an in-depth interview on the sources behind Douglas’s work. Carol J. Clover, an expert on film and Nordic mythology, focusses on the fusion in film, psychoanalysis and fable in Der Sandman. The Artist’s Choice text is by French philosopher Gilles Deleuze from his 1967 essay ‘Humour, Irony and the Law’, which reflects on the issues of power and powerlessness also central to Douglas’s art. The histories and ideas behind the artist’s works are explained through project descriptions, notes and scripts in the Artist’s Writings section, alongside an essay on the teleplays of Samuel Becket and an interview with curator and critic Lynne Cooke.

An important exhibition catalogue as well as reference work on artists’ books. This catalogue was designed by the book artist Buzz Spector (b. 1948), and his pencil notes for the mock-up have been reproduced in this final version. Jeffrey Abt, the organizer of the exhibition, writes in an insightful essay: “The contemporary artist’s book…represents an evolution of the book’s use from a vehicle for text and its illustration to an artistically integrated, sometimes sculptural object. Though superficially the artist’s book may bear little resemblance to the common codex, it nonetheless continues many of the earlier uses and forms of the book.” This exhibition featured several dozen artists’ books by practitioners such as Roberta Allen, Douglas Beube, Meryl Brater, Timothy C. Ely, Jane Freeman, Kay Hines, Jana Kluge, Richard Long, Andrew Masullo, Scott McCarney, Brenda Miller, Kevin Osborn, Bruce Schnabel, Berty Skuber, Keith A. Smith, Buzz Spector, Yoko Terauchi, Erica van Horn, Cornelia Vogel, Paul Zelevansky, etc. ❧ A. Desjardin, The Book on Books on Artists Books (2nd ed.: 2013) 151.

By the 1990s, public art had evolved far beyond the lonely monument on an open plaza. Now public artists might design the entire plaza, create an event to alter the social dynamics of an urban environment, or help to reconstruct a neighborhood. Dialogues in Public Art presents a rich blend of interviews with the people who create and experience public art–from an artist who mounted three bronze sculptures in the South Bronx to the bureaucrat who led the fight to have them removed; from an artist who describes his work as a “cancer” on architecture to a pair of architects who might agree with him; from an artist who formed a coalition to convert twenty-two derelict row houses into an art center/community revitalization project to a young woman who got her life back on track while living in one of the converted houses. The twenty interviews are divided into four parts: Controversies in Public Art, Experiments in Public Art as Architecture and Urban Planning, Dialogues on Dialogue-Based Public Art Projects, and Public Art for Public Health. Tom Finkelpearl’s introductory essay provides a concise overview of changing attitudes toward the city as the site of public art. This book includes interviews with Vito Acconci, John Ahearn, David Avalos, Denise Scott Brown, Rufus L. Chaney, Mel Chin, Douglas Crimp, Paulo Freire, Andrew Ginzel, Linnea Glatt, Louis Hock, Ron Jensen, Kristin Jones, Maya Lin, Rick Lowe, Jackie McLean, Frank Moore, Jagoda Przybylak, Assata Shakur, Michael Singer, Elizabeth Sisco, Arthur Symes, Mierle Laderman Ukeles, Robert Venturi, and Krzysztof Wodiczko.

“L.A. Rising: SoCal Artists Before 1980” is the first comprehensive pictorial showcase of the diverse universe of artists working in the Los Angeles area during the formative period of Los Angeles’ art history. Over 800 color and 100 black and white images of work by almost 500 artists illustrate the edited texts quoted from critical reviews of exhibitions and writings of the period. Special efforts have been made to include both recognized and heretofore unsung key players in the Los Angeles art world. The book acknowledges the legacy of a full range of artists whose lives and work in Los Angeles enabled the city to become the international contemporary art capital it is today.

Contributors: Lyn Kienholz, Elizabeta Betinski, Corinne Nelson, Clinton Adams, Ron Adams, Bas Jan Ader, John Alberty, Lita Albuquerque, Anders Aldrin, Peter Alexander, Martha Alf, Neda Al-Hilali, Carlos Almaraz, John Altoon, Mabel Alvarez, Arthur Ames, Jean Goodwin Ames, Laura Anderson, Oliver Andrews, Eleanor Antin, Craig Antrim, Chuck Arnoldi, Michael Asher, David Askevold, Walter Askin, Ralph Bacerra, Don Bachardy, Jo Baer, Herman Kofi Bailey, George P. Baker, Michael Balog, John Baldessari, Jack Barth, Richmond Barthé, Joel Bass, Lynn Bassler, Robert C. Bassler, Wall Batterton, Herbert Bayer, Phoebe Beasley, Larry Bell, Billy Al Bengston, Karl Benjamin, Ed Bereal, Pat Berger, Tony Berlant, Ben Berlin, Eugene Berman, Wallace Berman, John Bernhardt, Gary Beydler, Edward Biberman, Natalie Bieser, Les Biller, Annette Bird, Streeter Blair, Sandy Bleifer, Bob and Bob, Gloria Cole Bohanen, Douglas Bond, Dorr Bothwell, David Bradford, Rex Brandt, Jerry Brane, Bettina Brendel, Michael Brewster, William Brice, Nicholas Brigante, Morris Broderson, William Theophilus Brown, Nancy Buchanan, Conrad Buff II, David Bungay, Jerry Burchfield, Jerrold Burchman, Chris Burden, Hans Burkhardt, Nathaniel Bustion, JoAnne Callis, Cameron, Greg S. Card, Elaine Carhartt, Harry Carmean, Jae Carmichael, Carol Caroompas, Barbara Carrasco, Eduardo Carrillo, Karen Carson , Bernie Casey, Elizabeth Catlett, Vija Celmins, Roberto Chavez, Carl Cheng, Judy Chicago, Grace Clements, Caron Colvin, Dan Concholar, Houston Conwill, Ron Cooper, Sister Mary Corita, Philip Cornelius, Mary Corse, Eileen Cowin, Robert Cremean, James L. Croak, Keith Crown, William Crutchfield, Robert Cumming, Darryl Curran, Dorit Cypis, Dan Cytron, Edie Danieli, Avery Danziger, Lowell Darling, Paul Darrow, Alonzo Davis, Dale B. Davis, Michael Davis, Ronald Davis, Woods Davy, Guy De Cointet, Francis de Erdely, Rupert Deese, Tony DeLap, Diane Destiny, Boris Deutsch, Charles Dickson, Richard Diebenkorn, Dietrich, Phil Dike, Guy Dill, Laddie John Dill, Paul Dillon, Morton Dimondstein, Sue Dirksen, John Divola, William Dole, James Doolin, Daniel Douke, Robert Dowd, Roy Dowell, Laurence Dreiband, Hildegarde Duane, Tom Eatherton, Bruce Edelstein, Jean Edelstein, Doug Edge, Leonard Edmondson, Melvin Edwards, Jules Engel, Marion Epting, Sam Erenberg, Merion Estes, Ned Evans, Bruce Everett, Fredericl Eversley, Connor Everts, Edgar Ewing, Martin Facey, Claire Falkenstein, Joe Fay, Lorser Feitelson, Lilly Fenichel, Jud Fine, Bruria Finkel, Max Finkelstein, Oskar Fischinger, Ethel Fisher, Judy Fiskin, Robbert Flick, Betty Davenport Ford, Llyn Foulkes, Sam Francis, Magdalena Frimkess, Michael Frimkess, Walter Gabrielson, Simone Gad, Charles Garabedian, John Garrett, Christopher Georgesco, George Geyer, James S. Gill, Shirl Goedike, Betty Gold, Judith Golden, Jack Goldstein, Joe Goode, John S. Gordon, Robert Graham, Mark Greenfield, Scott Grieger, Ron Griffin, Raul Guerrero, Allan Hacklin, Richard Haines, D.J. Hall, Frederick Hammersley, David Hammons, Lloyd Hamrol, Robert Hansen, Marvin Harden, June Harwood, Maren Hassinger, James Hayward, Wayne Alaniz Healy, Phillip Hefferton, Robert Heinecken, Victor Henderson, Maxwell Hendler, George Herms, Anthony Hernandez, Susan Lautman Hertel, Charles Christopher Hill, Gilah Yelin Hirsch, Diana Hobson, David Hockney, Patrick Hogan, Tom Holste, Varnette Honeywood, Dennis Hopper, Channa Horwitz, Bruce Houston, Bernard Hoyes, Douglas Huebler, James Hueter, Robert Irwin, Sandra Jackman, Suzanne Jackson, James Jarvaise, Connie Jenkins, Tom Jenkins, Daniel Larue Johnson, Don Johnson, Wesley Johnson, Ynez Johnston, John Paul Jones, Mary Jones, Reuben Kadish, Steve Kahn, Matsumi Kanemitsu, Allan Kaprow, Barbara Kasten, Craig Kauffman, Claude Kent, Edward Kienholz, The Kipper Kids, Gloria Kisch, Tom Knechtel, Emil Kosa Jr., Peter Krasnow, Patsy Krebs, Roger Kuntz, Suzanne Lacy, Lili Lakich, Paul Landacre, Doyle Lane, William Leavitt, Rico Lebrun, John Lees, Harold Lehman, Mark Lere, Samella Lewis, Peter Liashkov, Joyce Lightbody, Ron Linden

In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997, respectively) for work made on video. This fin-de-sicle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental filmmakers. Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form’s technical challenges, the hope of political impact, or the desire to reinvigorate such time-honored subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain–a tradition that has been only intermittently written about until now. This major new book is the first comprehensive history of artists’ film and video in Britain. Structured in two parts (‘Institutions’ and ‘Artists and Movements’) , it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart. Written by the leading authority in the field, A History of Artists’ Film and Video in Britain, 1897-2004 brings to light the range and diversity of British artists’ work in these mediums as well as the artist-run organizations that have supported the art form’s development. In so doing it greatly enlarges the scope of any understanding of ” British cinema” and demonstrates the crucial importance of the moving image to British art history.

Contents: Europe in Soho – Paula COOPER, , ARMAN, Marcel, DUCHAMP, GILBERT & GEORGE, Pier Paolo CALZOLARI, Mario MERZ, Giulio PAOLINI, Alighiero BOETTI, Piero MANZONI, Hans HAACKE, Jannis KOUNELLIS, Giovanni ANSELMO, Ulrich RUCKRIEM, SALVO, Joseph BEUYS, Jan DIBBETS, Hanne DARBOVEN, Laura GRISI, Gerhard RICHTER, Daniel BUREN, Christian BOLTANSKI, Jean LE GAC, Roman OPALKA, Richard LONG, Arthur KOPCKE, Hanne DARBOVEN, Ben VAUTRIER, Rebecca HORN, Robert FILLIOU Fluxus in New York – LA MONTE YOUNG, Gorge MACIUNAS, Takehisa KOSUGI, Benjamin PATTERSON, George BRECHT, Robert WATTS, Takako SAITO, Al HANSEN, Larry MILLERS, NAM JUNE PAIK Street Works Downtown – Scott BURTON, Stephen VARBLE, Adrian PIPER, Richard HAYMAN, Donna HENES, Rosemarie CASTORO, Daniel BUREN, Joan JONAS, Trisha BROWN, Mary MISS, Gordon MATTA-CLARK, Richard SERRA, Vito ACCONCI, Yayoi KUSAMA SOHO DU MAL. Film, Video, Culture, Politics – Dennis OPPENHEIM, Dan GRAHAM, Roger CUTFORTH, Peter CAMPUS, Michael SNOW, Douglas DAVIS, Shigeko KUBOTA, Joseph BEUYS, NAM JUNE PAIK, John CAGE, Jaime DAVIDOVICH, Mary LUCIER, Liza BEAR Music, Tanz, Performance – Mabou MINES, Richard FOREMAN, Merce CUNNINGHAM, GRAND UNION, David TUDOR, John CAGE, Robert ASHLEY, Gordon MUMMA, Alvin LUCIER, Jim BURTON, David BEHRMAN, Steve REICH, Philip GLASS, Meredith MONK, Viola FARBER, Lucinda CHILDS, Joan LA BARBARA, Robert WATTS, Simone FORTI, Charlemagne PALESTINE, Giuseppe CHIARI, Laurie ANDERSON,

Band 1: malerei, plastik, performance.- Band 2: fotografie film video.- Band 3: handzeichnungen, utopisches design, bücher.- Artsts: Berenice Abbott, Hermann Albert, Carl Andre, Ben d’Armagnac, Christian Ludwig Attersee, Vito Acconci, Pierre Alechinsky, Theo Angelopoulos, Arman (Armand Fernandez), Bernhard Aubertin, Valerio Adami, Gerhard Altenbourg, Ottomar Anschütz, Fernando Arrabal, Joannis Avramidis, Robert Adamson, Robert Altman, Horst Antes, Eduardo Arroyo, Alice Aycock, Peter Ackermann, Anatol, Ant Farm, Art & Language, Billy Adler, Gisela Andersch, Shusaku Arakawa, David Askevold, Chantal Akerman, Laurie Anderson, Diane Arbus, Eugène Atget, Francis Bacon, Monika Baumgartl, Joseph Beuys, Fernando Botero, Kevin Brownlow & Andrew Mollo, Michael Badura, Hippolyte Bayard, Michael von Biel, Margaret Bourke-White, Günter Brus, Eduard Denis Baldús, Thomas Bayrle, Werner Bischof, Mathew B. Brady, Anatol Brosilowsky, Balthus, Cecil Beaton, Louis-Auguste Bisson & Auguste-Rosalie Bisson, Brassaï (Gyula Halász), Wojciech Bruszewski, Joachim Bandau, Bernd e Hilla Becher, Irma Blanck, George Brecht, Luis Buñuel, Jared Bark, Stephan Beck, Karl Blossfeldt, KP Brehmer, Chris Burden, Robert Barry, Bill Beckley, Bernhard Blume, George Hendrik Breitner, Daniel Buren, Jennifer Bartlett, John Ernest Joseph Bellocq, Mel Bochner, Heinz Breloh, Scott Burton, Gianfranco Baruchello, Carmelo Bene, Peter Bogdanovich, Robert Bresson, Michael Buthe, Giorgio Batistella, Franz Bernhard, Claus Böhmler, Stuart Brisley, James Lee Byars, Gerd Baukhage, Jean-Marie Bertholin, Blythe Bohnen, Jürgen Brodwolf, Horst H. Baumann, Nuccio Bertone, Karl Bohrmann, Marcel Broodthaers, Bodo Baumgarten, Jean-Louis Bertucelli, Christian Boltanski, Stanley Brouwn, Enzo Cacciola, Robert Capa, Barbara Chase-Riboud, Pinchas Cohen-Gan, Michael Craig-Martin, Julia Margaret Cameron, Henri Cartier-Bresson, Eduardo Chillida, James Collins, Fritz Cremer, Colin Campell, Étienne Carjat, Christo, Miguel Condé, José Luis Cuevas, Peter Campus, Ugo Carrega, Chryssa, Tony Conrad, Edward Curtis, Louis Cane, Lewis Carroll, Chuck Close, Steven Cortright, Veassis Caniaris, Claude Chabrol, Harold Cohen, Claudio Costa, Miodrag Djuric (Dado), Douglas Davis, Walter De Maria, Jim Dine, Juan Downey, Louis Daguerre, Ger Dekkers, Agnes Denes, Henry + Bool Alfred + John Dixon, Peter Downsborough, Hanne Darboven, Willem de Kooning, Fred Deux, Dore O., Michael Druks, Alan Davie, Philip Henry Delamotte, Jan Dibbets, Ugo Dossi, Marcel Duchamp, John Davies, Jack Delano, Braco Dimitrijevic, Christian Dotremont, David Douglas Duncan, Don Eddy, Paul Eliasberg, Heinz Emigholz, Ulrich Erben, Walker Evans, Benni Efrat, Ger van Elk, Ed Emshwiller, Hugo Erfurth, Valie Export, Sergej Eisenstein, Peter Henry Emerson, Leo Erb, Garth Evans, Öyvind Fahlström, Federico Fellini, Dan Flavin, Charles Frazier, Lee Friedlander, Herbert Falken, Roger Fenton, Richard Fleischer, Hermine Freed, Hamish Fulton, Ralston Farina, Armand Fernandez, Lucio Fontana, Will Frenken, Heidi Fasnacht, Vincenzo Ferrari, Fred Forest, Achim Freyer, Rainer Werner Fassbinder, Robert Filliou, Terry Fox, Gisèle Freund, Hans-Peter Feldmann, Wolfgang Gäfgen, Jochen Gerz, Tina Girouard, Dan Graham, Nancy Graves, Abel Gance, Paul-Armand Gette, Michael Gitlin, Eve Gramatzki, Alan Green, Alexander Gardner, Peter Gidal, Wilhelm von Gloeden, Tom J. Gramse, Marty Greenbaum, Winfred Gaul, Wolfram Giersbach, Jean-Luc Godard, Gotthard Graubner, Alberto Grifi, Rupprecht Geiger, Gilbert & George, Hubertus Gojowczyk, Nancy Graves, Robert Grosvenor, Michael Geissler, Frank Gilette, Kuno Gonschior, Walter Grasskamp, Hetum Gruber, Arnold Genthe, Raimund Girke, Camille Graeser, Gotthard Graubner, Renato Guttuso, Roel D’Haese, Haus-Rucker-Co, Wilhelm Hein, Lewis Hine, Nan Hoover, Helfried Hagenberg, Erich Hauser, Bernhard Heisig, Leon Hirszman, Rebecca Horn, David Hall, Lady Hawarden, Michael Heizer, Antonius Höckelmann, Horst P. Horst, Nigel Hall, Ron Hays, Al Held, David Hockney, George Hoyningen-Huene, Phillipe Halsman, Tim Head, Werner Herzog, Anatol Herzfeld, Alfred Hofkunst, Richard Hamilton, Erwin Heerich, Eva Hesse, Rudolf Hoflehner, Douglas Huebler, Heijo Hangen, Axel Heibel, David Octavius Hill, Edgar Hofschen, Danièle Huillet, Noriyuki Haraguchi, Birgit Hein, John Hilliard, Hans Hollein, Alfonso Hüppi, Karl Horst Hödicke, Shohei Imamura, Will Insley, Jean Ipoustéguy, Patrick Ireland, Hans Paul Isenrath, Ken Jacobs, Paul Jaray, Jasper Johns, Francis Benjamin Johnston, Miklós Jancsó, Jo Jastram, J. Douglas Johnson, Donald Judd, Horst Janssen, Alejandro Jodorowsky, Joan Jonas, Martha Jungwirth, Wolf Kahlen, Buster Keaton, Jürgen Klauke, Beril Korot, Ferdinand Kriwet, Max Kaminski, Ellsworth Kelly, Alexander Kluge, Joseph Kosuth, Germaine Krull, Howard Kanovitz, Michael Kenny, Werner Knaupp, Jannis Kounellis, Shigeko Kubota, Tadeusz Kantor, André Kertész, Günther Knipp, Andras Kovács, Stanley Kubrick, Allan Kaprow, Anselm Kiefer, Milan Knížák, Attila Kovács, Gary Kuehn, Dani Karavan, Harry Kipper, Imi Knoebel, Kurt Kren, Marin Karmitz, Alain Kirili, Alice Kochs, Dieter Krieg, Gertrude Kasebier, Ronald B. Kitaj, Christof Kohlhöfer, Richard Kriesche, On Kawara, Konrad Klapheck, Jiří Kolář, Les Krims, Willem de Kooning, László Lakner, Barry Le Va, Michael Leisgen, Lawrence Lobe, Urs Lüthi, Arthur Lamothe, Russell Lee, Les Levine, Francisco Lopez, Georg Platt Lynes, Richard Landry, Jean Le Gac, Sol LeWitt, Antonio Lopez-Garcia, Nikolaus Lang, Gustave Le Gray, Roy Lichtenstein, Joseph Losey, Dorothea Lange, Malcolm Le Grice, Richard Lindner, Bernhard Luginbühl, John Latham, Barbara Leisgen, Michael Lingner, Bernhard Lüthi, Heinz Mack, Kenneth Martin, Gerhard Merz, Alexander Mitta, Robert Morris, Nino Malfatti, Charles Marville, Mario Merz, Milan Mölzer, Alfons Maria Mucha, Felix H. Man (Hans Baumann), Roberto Matta, Borg Mesch, Bernard Moninot, Ugo Mulas, Robert Mangold, Gordon Matta-Clark, Anette Messager, Henry Moore, Antoni Muntadas, Andy Mann, Wolfgang Mattheuer, Adolphe de Meyer, Stefan Moore, Walter Murch, Werner Mantz, Cynthia Lee Maughan, Duane Michals, Carmengloria Morales, J.-J. Murphy, Piero Manzoni, Antony McCall, Henri Michaux, Marcello Morandini, Zoran Mušič, Giacomo Manzù, Barry McCallion, Rune Mields, Pit Morell, Eadweard Muybridge, Robert Mapplethorpe, Bruce McLean, Antoni Miralda, François Morellet, Brice Marden, Syd Mead, Josef Mikl, Maria Moreno, Agnes Martin, Dariush Mehrjui, Joan Miró, Malcolm Morley, Tomitaro Nachi, Bruce Nauman, Wolfgang Nestler, Joseph Nicéphore Niépce, Maria Nordman, Félix Nadar, Charles Nègre, Richard Newton, Ansgar Nierhoff, Gabriele & Helmut Nothhelfer, Maurizio Nannucci, Werner Nekes, Max Neuhaus, Richard Nonas, Lev V. Nussberg, Dore O., Timothy O’Sullivan, Roman Opalka, Nagisa Oshima, Oswald Oberhuber, Claes Oldenburg, Dennis Oppenheim, Jean Otth, Brian O’Doherty, Claudio Olivieri, Anna Oppermann, Hilmar Pabel, Giulio Paolini, A. R. Penck, Pablo Picasso, Lucio Pozzi, Nam June Paik, Eduardo Paolozzi, Peng-Wan-Ts, Otto Piene, Heinz-Günter Prager, Blinky Palermo, Gordon Parks, Beverly Pepper, Walter Pichler, Mario Prassinos, Magnus Palsson, Sergei Paradschanow, Elio Petri, Anne & Patrick Poirier, Panamarenko, Pier Paolo Pasolini, Wolfgang Petrick, Sigmar Polke, Gina Pane, Max Peintner, Friederike Pezold, Don Potts, Isabel Quintanilla, Daniel Quintero, William Raban, John Reilly, Jacob August Riis, Peter Roehr, Ed Ruscha, David Rabinowitch, James Reineking, Bridget Riley, Ulrike Rosenbach, Ken Russell, Arnulf Rainer, Albert Renger-Patzsch, Klaus Rinke, James Rosenquist, Claude Rutault, Yvonne Rainer, Jean Renoir, Larry Rivers, Francesco Rosi, Reiner Ruthenbeck, Robert Rauschenberg, Alain Resnais, Jacques Rivette, Roberto Rossellini, Robert Ryman, Man Ray, Erich Reusch, Józef Robakowski, Dieter Roth, Éric Rohmer, Tony Ray-Jones, Hans Peter Reuter, Dorothea Rockburne, Arthur Rothstein, Martial Raysse, George Warren Rickey, Alexander Rodtschenko, Gerhard Rühm, Reindeer Werk, Hans Salentin, Tomas Schmit, Eugen Schönebeck, Michael Singer, Edward Steichen, Sohrab Shadid Saless, Wolfgang Schmitz, Martin Schwarz (Künstler), Willi Sitte, Saul Steinberg, Erich Salomon, Helmut Schober, Martin Scorsese, Neal Slavin, Frank Stella, Lucas Samaras, Eugen Schönebeck, George Segal, David Smith, Alfred Stieglitz, Fred Sandback, Ben Schonzeit, Antonio Seguí, Robert Smithson, Sir Benjamin Stone, August Sander, Rudolf Schoofs, Friedrich Seidenstücker, Fernando Ezequiel Solanas, Paul Strand, Sarkis Zabunyan, Jan Schoonhoven, Richard Serra, Michael Snow, Jean-Marie Straub, Antonio Saura, Werner Schroeter, Ben Shahn, Alan Sonfist, Liselotte Strelow, Konrad Balder Schäuffelen, Heinz Schubert, Joel Shapiro, Eve Sonneman, Michell Stuart, Georgij Schengalaja, Alf Schuler, Charles Sheeler, Keith Sonnier, Josef Sudek, Alexander Schleber, HA Schult, Stephen Shore, Daniel Spoerri, István Szábo, Barbara Schmidt-Heins, Bernard Schultze, Katharina Sieverding, Klaus Staeck, Gabriele Schmidt-Heins, Emil Schumacher, Charles Simonds, Ted Stamm, Jiro Takamatsu, Andrej Tarkowskij, George Trakas, Peter Tuma, Vassilakis Takis, André Thomkins, François Truffaut, Deborah Turbeville, William Henry Fox Talbot, Jean Tinguely, Costas Tsoclis, Richard Tuttle, Antoni Tàpies, Gérard Titus-Carmel, Werner Tübke, Cy Twombly,Günther Uecker, Lee U Fan, Timm Ulrichs, Ursula Schultze-Bluhm, Giuliano Vangi, Wladimir Veličkovič, Bill Viola, Klaus Vogelsang, Hannsjörg Voth, Agnès Varda, Bernard Venet, Luchino Visconti, Wolf Vostell, Andrzej Wajda, Weegee, Orson Welles, Gottfried Wiegand, Claus Peter Wittig, Willie Walker, William Wegman, Wim Wenders, Klaus Wildenhahn, Krzysztof Wodiczko, Franz Erhard Walther, Peter Weibel, Lina Wertmüller, Dorothee von Windheim, Erwin Wortelkamp, Andy Warhol, Lawrence Weiner, Dsiga Wertow, Gerd Winner, Fritz Wotruba, Ryszard Wasko, Roger Welch, Marthe Wéry, Reindert Wepko van de Wint, Klaus Wyborny, Wolfgang Weber, Peter Weller, Tom Wesselmann, Rainer Wittenborn, Keigo Yamamoto, Yves Yerson, Yoshio Yoshida, Frank Young, Herbert Zangs, Gianfranco Zappettini, Jerry Zeniuk, Heinrich Zille, Krzysztof Zanussi, Michele Zaza, Christian Ziewer, Zush